Category Archives: Creativity

I Choose to Be Here

It’s the middle of Finals Week. Other semesters, I’d be thick in the muck of a grading backlog, trying to get caught up so I could start grading finals. This time, I came soooooo close to having the backlog done before finals started coming in.   Didn’t quite make it, but I’m still in a good place, on track to have grades turned in on December 23.  Which is before Christmas. Which is fantastic.  (I hear from my family I’m not very pleasant when I’m still grading over Christmas.)

Because I am a master procrastinator, and because over the years I’ve been slower than I’d like to in terms of returning graded work to students, I have a spreadsheet going back more than ten years with precise records–when students turned things in & when I returned them.  This semester wasn’t my best ever, but it’s the best in a while.

Why? Was it because it was a lovely, unencumbered semester in which my family life was smooth as pudding and my work life was also smooth and lovely? NO.  We’ve found 7th grade challenging in my house. We’ve been virus magnets this fall. And at work? Well , my campus administrator is moving on. In a couple weeks. And there’s work to be done.

And, oh, what else? Let’s see. My campus is in the process of merging (though we’re not supposed to say “merging” any more, I don’t know why) with a larger campus. All over Wisconsin, fine, little campuses are merging (not-merging) with fine, larger campuses. This has resulted in many, many more meetings and phone calls and emails. None of which are my favorite things about my job.

And yet.  And yet.  I’m feeling as genuinely copacetic as I have felt in a very long time.

Here’s one reason. In September, I listened to Episode 057 ,”How to Stop Fighting Against Your Life & Fall in Love With It Instead,” of the Courage and Clarity podcast. It’s a great podcast–each interview has two episodes. One is the “courage” episode, in which a woman entrepreneur explains how she broke away from her regular life and had the courage to do something risky.  The “clarity” episode explains some specific process or task.

On Episode 057, Steph Crowder (the host, and part of the triumvirate at Fizzle.co, which I love, seriously, ♥, and which I’m sure I’ll write about more at some point) interviewed Catherine Rains, the Hotel Artist.  I was hooked early on, because they were talking about “resistance toward the day job.”

Even before the merger-not-merger was announced, I was finding my job challenging. Maybe everyone does?  But I’m working with Fizzle because I’m trying to develop a side hustle in creativity consulting, and part of the motive for that is being able to retire from my day job, which I’ve been doing since 1991. So even though I wouldn’t say I was miserable in September, was I loving my job? Happy to be there every day? Giving it my best? Prolly not.

A lot of this episode resonated with me, but this especially:

Catherine says that at some point she was in an academic job that wasn’t thrilling her, but she was captivated by a phrase she thought of, “What you resist persists.”  So she started doing what she called a game, of saying, “This moment is my destiny” any time she was in an unpleasant moment at work.  She also said, “I have lived my entire life to be sitting here at this moment doing this thing.” She said these things “over and over again for three months, and at the end of three months, I realized I had fallen in love with my job.” Catherine also talks about:

  • “learning new ways to surrender to what’s in front of me, as opposed to resisting it.  Because resisting it is what keeps you stuck where you are.”
  • “I think that what makes people think that they haven’t gotten far enough is because they’re resisting where they already are.”
  • “When I stopped trying to get somewhere else, and fully sunk into where I was, that’s when the next step revealed itself, without me doing anything.”

There was just level after level of resonating for me. Somehow I decided to go for it.  I tried saying “This moment is my destiny” and that phrasing just didn’t resonate with me. Maybe it felt too whoo-whoo. But then I tried, “I choose to be here” instead, and snap!  Every moment when things at work seemed tense, when I was feeling tired of any particular task, when I just wasn’t feeling the love for what I was doing, I said to myself, “I choose to be here.”

It wasn’t as if everything was suddenly rainbows and sunshine, but there was a subtle transformation. Work just felt good. Within a week or two (which seemed sudden), I wasn’t working on my side-hustle to escape my job. I was working on my side-hustle because it was an important thing I wanted to develop to spend some time on now and more time on later.

Work just felt good.

So then when the seismic announcement of the merger-not-merger happened (about which I have many thoughts and feelings), my response wasn’t doom and gloom or terror. My gut-level response was positive. And still is.  And as we move through the muck of making a massive transition for this merger-not-merger (about which I have multiple thoughts and feelings), I’m still saying “I choose to be here.” It makes a huge difference.

It’s a huge part of why I’m feeling so mellow during finals week, looking forward to a full day of grading tomorrow, a Solstice bonfire tomorrow night, more grading on Friday, then an email to students asking them to check my data entry one more time, and then turning in grades on Saturday. Then celebrating Christmas starting on Christmas Eve. And actually taking a week between Christmas and New Years where I don’t check work email. At all.

So right now, at the end of a tumultuous semester, I’m sitting in front of my Christmas tree feeling copacetic even before I take a single sip of the brandy I’ve poured myself. This whole method isn’t just for tense moments at work. It’s also for moments like this. I choose to be here.

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Purgatory, Kentucky (5/7)

I like to have a quiet place to pray,
and sitting, waiting, in my truck, well that’s
about as quiet as it ever gets
because the radio died in ’88.
When a radio dies where does its music go?
They say sound waves never really go away.
I don’t understand what all I know
about that. I guess I believe that sound’s a wave.
I guess I believe there are tiny bones in my ear,
a hammer and an anvil and a horseshoe? Is that right?
I wonder if they’ll be taking questions there.
I wonder if it’s always kind of twilight.
There’s the ferry now—I guess it’s time
I got myself in gear and got in line.

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Ferry on Highway 169 somewhere in Kentucky (a Creative Commons shot from Edlitmus on Flickr)

David Bowie, RIP

There’s so much to say.  I wasn’t ready for this death.  I hope I can say more at some point.  In the meantime, I’ll re-run a little poem I wrote when he released “Walking the Dead” a couple of years ago–a song and album for which I was so grateful. I hadn’t even realized how much I’d needed a new one from him.

_____

Bowie’s Voice

starched linen right when
it’s not so stiff

piece of paper twisting
in a breeze

sheet of metal
a thin sheet
its sound waves
emerging at the quiet snap
of bending this way
and then that

Bowie’s voice
in “Where Are We Now”
quavery
elegant
sad

exactly how we ought to speak
to the dead, were we to speak
to the dead, were we dead,
were we out walking the dead.

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The Noble Gases

for Max Garland

No wonder I can never remember all eight—
there are only six. I have a placemat
with the periodic table of the elements on it—
I guess it’s time to get it out again.
The ones I never forget are neon
and radon—bar signs and killers in the basement.
I usually remember Superman’s Achille’s heel,
thus krypton, and if I think of Jason, I might
think of Argonauts and thus argon, but
usually I don’t. Almost never will
I think of helium, the most famous one,
the silly voice, the birthday balloon,
the one that can overfill your lungs
and kill you, leeching all your oxygen.

____
Working on part 2 and 3 of this poem–will post more soon.

What a pleasure it was to hear Max Garland read at the Aldo Leopold Center on an absolutely perfect Wisconsin summer night. I always enjoy his poems and he spoke so earnestly and well about the importance of art, of making it and supporting it, I found I had tears in my eyes a bunch of times.

Here’s a photo I took as I resisted the mingling part of the evening–I couldn’t bear to be inside on such a gorgeous night.

The Aldo Leopold Center outside Baraboo.

The Aldo Leopold Center outside Baraboo.

This poem came in response to his poem “Hydrogen,” which is available through the Western Kentucky University English Department website.

_____

I have fond memories of WKU, where I once participated in a marathon poetry reading. We read forever there. We might still be reading there.

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Missing the Magpie

Here’s a long overdue shout-out to my good friend Robert, who contributed to my Indiegogo campaign last year (thanks, and thanks again!). His contribution and others allowed me a “half-battical” last fall, which meant teaching two courses instead of my normal four.  I spent time working on creativity research, and I’ll be offering my first 2-hour workshop this Saturday.

 

You know how everyone is always posting all kinds of everything on Facebook & Twitter and some of it’s great but so much of it is….not?

What if someone had a blog in which they gathered all kinds of awesome stuff in one place, week after week?  That’s what Robert’s “Magpie Monday” did, and even though there hasn’t been one in a while, it’s still WELL WORTH a look-see because he finds awesome stuff, such as Bookshelf Porn and Ask Baba Yaga and a site with details I didn’t personally actually know or remember about the Piano.

 

I’m missing Magpie Monday, but at least there are nests to look back through!
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Doodling the Future

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Trying to doodle how I see my immediate future. It’s atop in this part of this morning’s doodle. Note its blankness.

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The middle is this semester’s “half-battical.” A little more room to breathe.

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Note the drop-off to DON’T KNOW? at the top of this rickety staircase.

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Self-portrait during half-battical.

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The bottom here is a normal semester. Not horrible, but really, too, too much.

Spiraling: Writing the Unthinkable

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Lynda Barry had us draw spirals today.

I got to do a workshop with her in her Image Lab at the Wisconsin Institutes for Discovery, where she is a (jolly good) fellow. It was a writing workshop, but we drew a little. We spiraled.

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When we were getting ready to write, or when we were listening to someone else read, we drew spirals.

 

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We were supposed to draw it as tight and close as we could without having the lines touch. I got too big on this one and it turned into a labyrinth.

 

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Sometimes I closed my eyes and drew.

 

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Here’s more of the labyrinth.

 

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Eyes closed for a bit.

I like how these pics look a little spooky. I went to scary places today, and I even wrote a ghost story.

 

Gentlemen in the Rain, Women in the Sun

How fitting that a play highlighting Proteus
would play on a day with various weathers,
rainy and warm then steamy and warm then pouring and warm
then breezy and cool then cool and calm then warm and calm
with the sun changing clouds into haze and then,
when Sylvia crossed the threshold from backstage,
that moment, I would swear it, did the sun
come out, full on,  and turn her blonde hair into blazing
waves of light. I still can’t see, can’t comprehend
why Valentine forgives his awful friend,
why Sylvia forgives her Valentine
for giving her to an inconstant man.
The woman seeming pitiful I get.
The man offending everyone I get.
I choose to see the Bard as having gaps,
not my heart not my brain with this big lapse.

_____

 

Every Thursday this semester I’m trying to do at least one big thing that reminds me I’m teaching only two courses, and have been allowed the grace and space to spend 20 hours a week on my creativity research.

 

Waiting for Two Gentlemen of Verona to start this morning, I was able to touch base with one of the many wonderful folks at APT who do their work offstage—at some point this fall, I’ll be doing some interviews about creativity (and especially, ironically, when they try NOT to be creative).

 

But it was the play itself I was most focused on today.

 

After all—why research creativity without enjoying the fruits of creativity that my fine little town has to offer?

 

Nice job, everyone—very nice to see Marcus Truschinski in another leading role, and Travis Knight right there with him (and very fun watching the high school girls at the matinee get all swoony).  I think no one does fragility mixed with strength the way Susan Shunk does—it’s like glass and steel all curving around each other. Nice job, Steve Haggard as Launce, and Will Mobley as Speed, using their terrific comic timing to sharpen the focus of the students who were, for the MOST part, dealing admirably with the distractions of rain and wind and then bright sun and heat.

 

And I swear, the sun really did come out right at the moment Abbey Siegworth stepped onstage in her tower.

 

This isn’t my favorite Shakespeare play by any stretch, but I’ve seen APT do it well two times now, and seeing it today gave me fond and bittersweet memories of the last time.  Then, it seemed to me and my friend Lee (may she rest in peace), the director emphasized every possible bit of homo-eroticism in the play (which made Valentine’s actions a little more understandable, if he’s as in love with Proteus as Julia is)

“That was hot,” Lee said to me when we chatted in the aisle right after a performance one night. As I remember it, I could only nod yes.

*

 

Half-battical and How

My son used to scare me when I got home from work by leaping out of the foxhole he’d dug in our yard. I miss those days, though I’m glad to say we filled in the foxhole before anyone broke any bones stepping in it inadvertently (nominee for person most likely to have done  that = me).

I miss the days when he dug tunnels and canals and poured water all over. A filthy, dirty, muddy, mucky kid–that’s the mark of a good summer day in my book.

So when I tell you that I feel as though I’m now sitting in a hole in my backyard that I dug over the last year or two–not big enough to stand up in, just big enough to sit in–you should understand a few things.

1. I had a lot of help digging this hole.

2. It isn’t muddy because we haven’t had much rain AT ALL lately.

3. I’m actually sitting inside my kitchen as I’m writing this.

4. It wasn’t easy, digging this hole, but I’m very happy right now, sitting in it.

I could have, a year ago, or two years ago, or three years ago, applied for traditional funding for a sabbatical, and because I have a good project and because I write good proposals, I probably could be on a fully funded sabbatical this semester, teaching zero classes.  The UW Colleges doesn’t have enough funding to fund very many sabbaticals, but it still funds a few (three this semester), and if you take one semester instead of a year, you get your full salary and benefits.

I took a full year ten years ago, traditionally funded. My husband and I figured out how to make the 35% pay cut work. It worked.

This time, for a variety of reasons, the traditional funding route did not appeal to me at all. (As I’m spending my MWF on campus teaching two classes, I continue to reflect on WHY that did not appeal to me at all.  Will probably write about it soon.)

Instead, I chose the route of trying to raise my replacement costs. I’d hoped to raise around $24,000 before July 1 of this year, and if I had, I’d be teaching zero classes this fall.

It turns out there are parts of fundraising and being a grant-hound I’m good at, and then other parts, not so much.

I think this is symbolic of something.

I think this is symbolic of something.

 

But with a lot of help,  I made it halfway, and I count myself lucky to be in a place where my dean agreed that the money I’d raised could “buy me out of” two of the classes I would normally teach, and where my business office geniuses figured out the logistics.

Teaching zero classes for a semester would be a terrific break and give me ample time for my project.

But teaching two classes instead of four is lovely. And it gives me a good chunk of time.

So, for example, today I get to go have lunch with a friend and talk to her about what kind of creativity workshop she might benefit from.

That’s my project–designing creativity workshops for businesses, organizations, and individuals.  Right now, I’m in the surveying/needs assessment phase.

At the end of my half-battical (because I made it  halfway, get it?), I’ll be ready to work with people to help them become more creative in measurable, useful, and wonderful ways.

Thus all my funders, all the people who helped me dig this hole–thank you.

One example I will have, henceforth, of BEING creative is the fundraising I’ve done, which is, of course, one of the big reasons I was so drawn to the idea of doing it.

Today’s creativity reading (I’m trying to get caught up on all the web pages, blogs, articles, and books I’ve put on my reading list) is “Twelve Things You Were Not Taught About Creative Thinking in School.”    Several of them seem relevant to what I went through as I was fundraising–#2 “creative thinking is work” (yes, exhausting–I sort of collapsed from it in early July). #7 “expect the experts to be negative” was truer than I expected. I had a ton of support, but there are people who JUST DIDN’T GET IT, why I was not drawn at all to seeking traditional sabbatical funding.  #8 “trust your instincts” is what I was doing, what I’m still doing. I don’t really understand all of why my gut was telling me LOUDLY to raise my own funds, but I listened.

#9 “There is no such thing as failure” is a comfort to me, as I tell myself that halfway is terrific. It doesn’t feel like failure, having cobbled together the $11,534 needed to replace me in the classroom.

And finally for today, #10, “You do not see things as they are; you see them as you are.”

And right now, I see myself blissed out in a hole in my own backyard.

This is symbolic of how awesome my yard is.

This is symbolic of how awesome my yard is.

Creative People Say Yes (Sometimes)

I once came upon my cousin Reid practicing different ways to say “no.” He was 3 or 4 at the time. “No, I couldn’t possibly,” he said. “Absolutely not.”

He was onto something, that little ‘un. At least in my family, saying no takes practice.

Saying no? I’m big on it. Sometimes I’m even good at it. I certainly like the IDEA of saying no.

I’ve written about a fair number of times:
“How do I do that? How do I become the sort of person who says no to things?”

Clitter-Clatter Clutter Time , which references two terrific posts by my favorite tattooed Lutheran blogger, Nadia Bolz Weber, “The Spiritual Practice of Saying No,” and its companion piece, “The Spiritual Practice of Saying Yes!”

The Sarcastic Lutheran says, “The people who are inclined to say yes to everything do all the work and then burn out and become resentful about the people who are inclined to say no to everything. It’s as though the world is divided into martyrs and slackers.”

I don’t make a very good martyr or slacker, either one, not for very long.

I worked enough 50+ hours this spring semester, I worry my slacker credentials are in danger of not being renewed.

Busy as I’ve been, I’m nowhere close to martyrdom. I have some regrets, but I don’t regret all of the times I said yes. (Or came up with something to do that no one even asked me to do.)

Recent things that added to my to do list that I am particularly happy to locate in the land of “yes!”:

  • In addition to volunteering in my son’s classroom at the River Valley Elementary Studio School a couple hours a week, presenting a lesson on storytelling, with a way of talking about narrative arc that was a big hit.
  • Leading the Westby Co-Op Credit Union Board of Directors and branch managers in creativity exercises.
  • Serving as a (paid) reader for writing sample/placement tests for incoming UW-R students, and as a local developmental writing coordinator (unpaid).

In general, I am unrealistic about how the number of things I try to get done will fit into the number of available hours, and I don’t necessarily do things in the right order (which sometimes does and sometimes does not qualify as procrastination).

Thus, some of my commitments (such as returning student work promptly) suffered this spring, and probably, saying “yes” to new stuff impacted the ongoing stuff.

In general, I need to parse, pare, and prune my To Do list.

So, in one way, I totally get Kevin Ashton’s “Creative People Say No.”

He is right that “We do not have enough time as it is. There are groceries to buy, gas tanks to fill, families to love and day jobs to do.”

And he is right that “Time is the raw material of creation.”

Time is a precious resource. It must be guarded. I get it.

But wow did that blog post bug me.

(more on page 2!)