Category Archives: Pedagogy Stew

Pedagogy Stew: November 2013

Gracious but I was a pill sometimes.

He's better about watching the ball year by year. But sometimes the dirt is so interesting....

He’s better about watching the ball year by year. But sometimes the dirt is so interesting….

I watch my son’s squirrely-ness in the outfield in the context of how I played right field as a child. One time I got so bored, I just walked home.

Living kitty-cornered to the school came in handy. I’ve recently verified with grade school friends that yes, at least once, when I raised my hand to ask to go to the bathroom, I went home to use that bathroom. And watch a little TV.

“No one could find you,” my lifelong friend Cindy said.  “Finally someone called your house.”

“And I answered the phone?” Apparently I did, and then casually went back to school.

I don’t recall getting in trouble for that, and here’s probably why.  When I was in the sixth grade, I had spinal surgery, fusion for severe scoliosis. I wore a neck-to-hips cast for three months, then a slightly smaller cast for another three months, then what was called a Milwaukee brace for six months.

Overall, I was a very well-behaved child, and remember my glory moments of audacious youth fondly because they were few and far between. And because when I got caught, I didn’t get in trouble much.

Allowances were made.

Paul Tough’s terrific book, How Children Succeed, discusses a study and method of measuring childhood stress and trauma called ACE, for Adverse Childhood Experiences. The more adversity, the more likely a child is to struggle in school. One major factor that helps such a child thrive in spite of adversity (whether it’s violence or poverty, or, I would guess, major surgery), is good, solid, attachment parenting.  Which I got.

Thus my son’s traumatic trips to the emergency room because of severe food allergy reactions—we can buffer those experiences so he’s not doomed.

And when I’m volunteering at his school, and one of his classmates is just being a total pill, I have to acknowledge that I don’t know their home situation. I don’t know what they had to maneuver as they made it to bed the night before, or whether someone was there to feed them in the morning, or, even if they have all the material goods they could ever wish for, someone is consistently mean to them.

Viewing people with compassion—that really is what it’s all about.

I don’t do it perfectly, but it’s something I tend to do well as a professor.

I tell my students that our time together as members of the class is such a small fraction of our lives. If it’s all we know about each other, it’s really not much.

I picture them as icebergs, not because I’m a ship and they’re dangerous obstacles, but because I’m seeing just the tip of who they are and what they’re capable of.

I do try, year after year, to maintain appropriately high standards, but ultimately I’m  more interested in clarity of instruction and high levels of support.

In other words, I make allowances.

(This column originally appeared in Voice of the River Valley.)

Here he's 100% in the game.

Here he’s 100% in the game.

Pedagogy Stew: October 2013

Picture an eighth-grade boy in the late 1970s. Sort of a cross between Richie Cunningham and Shaun Cassidy. Watch him as he jams a little nubbin of a pencil so far into an electric pencil sharpener that it runs continuously, leaving the not-too-bright teacher to puzzle over the mystery of it all.

Don’t worry about that boy. He’ll grow up to be an aeronautics engineer.

The teacher? He’ll get fired. He had so little control in the classroom, we looked like one of those inspiring hero-teacher movies BEFORE the hero shows up.

That’s the closest I ever came to being homeschooled, when this teacher was in the process of being fired. My Dad was on the school board, and when the teacher accused me of crying to my parents about how mean he was (I complained, but I don’t remember crying), they pulled me out of school. But it wasn’t really homeschooling. I just sat in a lawn chair in the corner of my Grandma Roane’s lawn (which was kitty-cornered to the school) and waved at everyone when they were at recess. Soon enough a hunky-hero teacher showed up and I went back to school.

I was lucky enough to spend an evening with many of my eighth grade friends in early August this past summer, and it was terrific seeing all these folks again. What we went through in grade school bonds us in deep ways.

We caught up on all kinds of things. We agreed the hunky-hero teacher still looks pretty great, thirty-plus years on.

We chose to get together this summer.

But the time we spent together back then wasn’t out of choice. Not ours, and not our parents’.

We went to school where we went to school because there wasn’t an alternative.

Since most of us were from staunch Baptist or Methodist or Pentecostal families, the Catholic school in the next town would never have seemed like an alternative, though it occurs to me now that it was.

I don’t think any of us had ever heard of homeschooling.

Homeschooling is but one of many, many alternatives now. School choice in Wisconsin means my husband and I can send our son to any local elementary school, including our choice, the Studio School, which is a public school/charter school/school within a school. Next year, there may be a STEM school (focusing on Science, Technology, Engineering and Mathematics) in Arena we could send him to. School vouchers in Wisconsin mean we could send him to a private school and get some state money for it (wait—really? That can’t be right. Maybe I dreamed that).

Our two main criteria for deciding how to school our son are these: is he happy? Is he learning?

I’m glad to have alternatives. I’m glad we get to have criteria beyond “if the teacher is horrible, we’ll try to get him fired.”

But it’s not just nostalgia when I miss the simplicity of how I went to school.

(This column originally appeared in Voice of the River Valley.)

Pedagogy Stew: September 2013

My brain has a timekeeping section that operates like a not-very-creative grade school teacher’s bulletin board. There’s a snowflake for January and a heart for February and a kite for March. For September, of course, there’s a little red schoolhouse. Or perhaps a pencil, since almost no school looks like a little red schoolhouse any more.

I remember the one-room schoolhouse from my hometown primarily as a huge blaze—they burned it to give the volunteer fire department practice. No one had been a student there for more than thirty years. I started school in a red brick square that’s still being used as a school, but not for long. Taxpayers in my hometown passed a referendum to build a much bigger new school.

Back to school.

It’s an evocative phrase, isn’t it? See the bleary-eyed children—some of them not transitioning well at all from the summer sleeping schedule, some of them suffering so much from ragweed allergies they’re already longing for snow.  Listen to the bells and announcements and the roar of recess. Feel the amazing fast stops and starts and really particular squeaks of new gym shoes. Smell the glue. (Don’t tell me if you can taste the paste.)

O school supplies, how I love thee!

Even when we were homeschooling my son, we went out and bought school supplies at the end of summer. We accumulated such a stash, in fact, that I now scour the writing implement drawer for brand new pencils instead of buying them.

If you haven’t seen a school supply list for a while, they’ve changed some. For one, most schools (around here, anyway) put most supplies in big containers for everyone to use. When I buy a box of crayons, it’s not my son’s box to keep in his desk. The crayons get taken out of the box completely.

Each family is asked to contribute an absurdly high number of glue sticks. The burden of “who pays for this stuff” gets shifted more and more to families. I don’t look forward to the fees I’m hearing about from middle school and high school parents (of kids in public schools, mind you). Still, teachers end up buying a lot of supplies from their own pockets.

At the college level, at least on my campus, students are reminded to budget for their “printing account,” so they can print from campus printers during the semester. A lot of what we used to Xerox “for free” for students is now available online, and they have to print it themselves. It was never free, of course. It was paid for by departments out of “supplies and expenses” budgets that have shrunk in recent years.

Regardless of who pays for what, though, it’s the end of summer, the beginning of autumn, a time of harvest and bounty. The printing accounts are full, the pencils still have their original erasers, and there are reams upon reams of paper just waiting to see what our students have to say.

(This column appeared originally in Voice of the River Valley.)

Pedagogy Stew: August 2013

I’m headed to my 30th high school reunion this month, which causes me to reflect on many things, including my overwhelming urge to find a copy of The Preppy Handbook (pretty sure there were no Southern Illinois locations mentioned in it, also pretty sure I didn’t catch that it was satire when I got it for Christmas, circa 1981, along with some knock-off Topsiders and a belt with little ducks on it).

I was ranked 5th out of a graduating class of about 400. I remember that because I’d been tied for first until my junior year, when I flaked out and could muster only a B in Advanced Algebra/Trig, the same in Chemistry. This coincided with the onset of that whole “imagine this graph/molecule in 3-D inside your head,” which I pretty much totally sucked at.

But overall, those pretty-good-but-not-excellent marks were just further manifestation of my lifelong urge to avoid certain sorts of difficulty.  I’m drawn to some challenges, primarily those of my own devising. Stepping off the valedictorian track involved a rejection of mastering the challenges of classes someone else chose for me. I refused to take calculus my senior year, and as I remember it, my Dad called the man who would’ve taught it (who had taught algebra to my Dad at a local community college) and they grieved together.

I can’t help wondering what kind of challenge students anticipate when they sign up for a MOOC.

MOOC is short for Massively Open Online Course, and they’re all the rage in higher education. They are available online, usually for free, from some terrific universities and professors.

The good part is having free access to lectures, assignments, and tests from some superstar professors.

The bad part is, typically, having zero access to that professor, or to feedback that isn’t automated.

The good part is how easy it is to sign up and participate.

The bad part is the incredibly high dropout rate.

The good part is that a highly motivated student can learn a lot, for free.

The bad part is that a student who is motivated to avoid the challenge of sitting in a traditional college classroom, or taking what now seems like a “traditional” online college course…this student may not be up for the challenge of learning in a less structured, less obligation-driven environment.

In general, as a college student, I’d have crashed and burned in a MOOC, especially if I were taking it to speed through requirements I didn’t see the point of.

But what if taking a MOOC were my own idea? And not required?

It might be like my sophomore English class, at that point. I insisted on doing my book reports on the silliest books—a biography of Colonel Sanders and one I still remember the title of, Sherlock Bones—Pet Detective.  But I was reading Shakespeare’s Venus and Adonis and Kazantzakis’s The Last Temptation of Christ on my own. A challenge of my own devising.

(This column appeared originally in Voice of the River Valley.)

Pedagogy Stew: July 2013

As I write this, my husband and son are in the living room, reading Harry Potter and the Half Blood Prince.  We’ve spent a lot of 2013 so far reading those books, just plowing through them.  (I almost said “burning through them,” but that sounds bad.) With summer here, the pace has increased, well, apace.

In one way, I’m jealous of my son. Remember how long we had to wait between each book? But in another way, I’m sad for him. How amazing it must have been to be a child when the first one came out, and then grow up with Harry, with a book coming along every year or so, just when you thought you couldn’t possibly wait any longer.

On the third hand, wow do I love to binge through TV and book series.

Late May and June were Maisie Dobbs weeks for me this year. I read all ten of Jacqueline Winspear’s mysteries featuring the “psychologist and investigator,” quickly, not exactly in order, but saving the 10th for last.

Leaving Everything Most Loved is in some ways a summary of the previous novels, mentioning their plots and characters, and serving as something of a “final accounting” for the whole series (though it doesn’t seem to be final—I’ve scoured the interwebs, and there’s no word of this being “THE LAST Maisie Dobbs novel.” Whew).

What is a “final accounting?”   Winspear defines it as what Maisie does as she makes “the essential visits to places and people encountered,” and calls it “a task that brought work on a particular investigation to a more settled close.” It’s more nuanced than our clichéd use of “closure.” When Maisie has wrapped up each case, she prepares a report for whomever hired her and then returns to locations crucial to solving whatever mystery there was.

It’s easy enough to end a semester as a professor by turning in grades, cleaning up my office, making a to do list for the summer, and no more.

But I’ve long tried to spend some time reflecting—what went well? Not so well? Why? And what can I do differently? I keep track of how promptly (or molasses-slowly) I return student work in an Excel spreadsheet, and I give students grading feedback on Excel, so I can run reports that way, too. Looking at the data for multiple years if sometimes almost a revelation.

This time, in addition to all the reflecting I typically do, I think I will visit each classroom I taught in, and my son’s classroom, where I volunteered, and see, like Maisie Dobbs, what each room has to say to me.

It also can’t hurt to think of all my semesters as mysteries, most of them solved (a few cold cases, I have to admit, still lingering).

What about you? What season has just ended for you? What case have you just solved? How will you do your final accounting?

(This column originally appeared in Voice of the River Valley.)

Pedagogy Stew: June 2013

June’s a hot month for ceremonies—weddings and graduations all over the place.

I’m not so big on ceremonies.

When I got married, I eloped. I did attend my high school graduation and baccalaureate programs (skipping would never have occurred to me at the time), but I was thrilled to miss my own Bachelor’s Degree commencement at Southern Illinois University. My Mom was graduating the same day, and it would have taken major logistics to get to both ceremonies, so I said, “Let’s just all go to Mom’s!” We took a picture of me in her mortarboard.  Then for my M.A., and M.F.A., I just didn’t go.

But I tend to enjoy graduation at UW-Richland.

First, I like looking at the UW-Richland faculty and staff on graduation night, in all our robes and signifiers. “We clean up good,” as my Uncle Earle would have said. Also, we look just the tiniest bit like Hogwarts teachers on that night. (I call dibs on McGonagall.)

And then there is always at least one student who crosses the stage that makes the whole ceremony worthwhile.

After the 2012 ceremony, I asked one of our first-year students, Darryl, to do a pinky-swear with me that he’d be crossing the stage in 2013. 

I learned about pinky-swears from my son. They seem to be a mix of “let’s shake on it” and “cross my heart and hope to die.”  You hook pinky fingers and promise, and for my son, it’s nearly sacred. If he does one, I know he’s serious. This Bible verse comes to mind (from my favorite book of the Bible):  Ecclesiastes 5:5 “It is better not to make a vow, than to make one and not fulfill it.”

Darryl seemed to have the same attitude. He wouldn’t do a pinky swear with me last year.

But he did cross the stage this spring. You’d have noticed him if you’d been there (or if you stumbled across the video on cable access television). He’s hard to miss—tall, long dreadlocks, LARGE personality. I was so happy for him, personally, but even happier for other students following him. He is a leader, and more students will follow him, students who might not follow anyone else.

In last month’s “Pedagogy Stew,” I talked about how important it is for students to be able to tell their own stories to themselves. If they feel in control of their own narrative, they are more likely to tell stories about overcoming obstacles, rather than giving in.

There’s so much we don’t know when we look at a student. We don’t know where they are in their narrative arc. We don’t know what story they’re telling to themselves about the present moment, and whether “graduation” or “grade in this class” or “using spell check” shows up in the story at all.

I hope “education” is part of how their stories end happily. Or how their stories begin well. I promise I’ll keep working to make that happen. Pinky-swear.

 (This column originally appeared in Voice of the River Valley.)

 

 

 

I Do Stew.

I’m so grateful to have a column in the Voice of the River Valley.

1. Even though it has a website, it functions largely as a print publication. You can see it all over southwest Wisconsin, lovely cream pages in stacks here and there.
2. It’s free!
3. The cover has fantastic photography, sometimes from my favorite photographer (hint: he has the same last name as I do).
4. It’s an audience I wouldn’t ordinarily reach. People come up to me in Richland Center, in Spring Green–they don’t read my blog. They don’t have a Twitter feed. But they read the Voice of the River Valley.
5. Regular deadlines help me. Speaking of which, today’s the 15th, isn’t it. Hm.
6. Word count maximums challenge me. I can write a sonnet pretty easily, or I can go on and on in prose–1,000 words, 1,500…. But 500 is HARD.
7. The editor/publisher Sara and I worked pretty hard to figure out what the focus of my column should be & when we landed on writing about the world of teaching from my perspective–long-time professor at UW-Richland and recent volunteer at the River Valley Elementary Studio School, we both knew there was a rich vein of material to mine.
8. I continue to be pleased with the name we settled on for the column. I wanted something to go with “pedagogy” in a way that was provocative or at least startling, and “stew” ended up being the one we kept going back to. It fits, you know? Because I do stew.
9. And so does Sara. The publication already has a pretty big audience and circulation, but she’s interesting in pushing the boundaries and experimenting, and I applaud that, in principle and in actuality.

Back to work on my 7th “Pedagogy Stew” column! The June column is available online; I’ll post it here when the July issue comes out.

Pedagogy Stew: May 2013

When I teach plot in a literature or creative writing class, Freytag’s triangle is usually part of the lesson. (Picture a scalene triangle, with a long slope upward
on the left, and a shorter slope coming down on the right.) Good old Gustav came up with his triangle in the 19th century as a way of describing the structure of Shakespeare and Greek tragedies, and as it’s taught now, it’s typically labeled with terms like “rising action,” “climax” and “denouement.” (The last always gives me pause, since, as a Southern Illinois native, I grew up hearing Beaucoup Creek pronounced “buck up.”)

Asked to teach a unit on storytelling to each of the four classes at the River Valley Elementary
Studio School, I wanted a way to translate this triangle for younger students. Here’s what I came up with:

Hello.
Uh-oh.
Oh no!
Now we know.

I’m pleased to say the teachers at the Studio School have found this useful as they’ve continued to work on storytelling. Students will be writing and performing plays to demonstrate what they’ve
learned about the Oregon Trail.

When I told some of my UW-Richland students about my translation, a couple of them said, “Hey! How come you never explained it to us like that?” I will, henceforth.

We do need students to be able to tell stories well. Not just to demonstrate what they’ve learned. Not just to sharpen their analytical skills. Not just to make sure they transfer smoothly into upper-level creative writing courses and move one step closer to publication. All those things are important, of course, but what seems most important to me is that we want them to be able to tell their own stories, to themselves.

We want them, as Brené Brown says, to own their own stories. “If you own the story you get to write the ending,” she says in Daring Greatly. As UW-Richland’s psych professor, Dennis Carpenter, explained to me, the technical term for this is “cognitive appraisal.” Our reaction to what happens depends a great deal on the story we tell ourselves about the event. When students own their stories, they’ll be able to decide whether a week of insults was the uh-oh leading to full-scale bullying, or the oh no! in which they put a stop to the insults. Students will be able to decide if a few weeks of falling behind in assignments meant they needed to buckle down and finish strong, or admit that the story of a particular class ended with dropping.

I go back again and again to the end of Robert Penn Warren’s book-length poem Audubon:

“In this century, and moment,
of mania, / Tell me a story.”

We all need to do that, right? We have a lot of different stories (and, gasp! that triangle doesn’t always work for the telling), but I know what kind of story I need the most right now. It’s the very last line of Audubon:

“Tell me a story of deep delight.”

Pedagogy Stew: April 2013

Objects in Motion

I’m so glad dance is part of my son’s education.
Sometimes, sure, an object at rest remains at rest,
But tonight an object in motion continued in motion—

A whole school of molecules kept dancing,
From slow solid to wavy liquid to hyper gas.
I’m so glad dance is part of my son’s education,

unlike mine. When I dance I’m like a squirrel on the ocean.
My grade school almost never danced—toomany Baptists.
Just like the law that keeps all those objects in motion,

he’ll continue to feel what he’s learned, not just emotion—
it’s embodied learning at its cellular best.
I’m so glad dance is part of my son’s education,

not just text and audio, not just construction
paper, more than dioramas, more than tests.
The law says an object in motion continues in motion,

and here’s proof. Still dancing, past bedtime, way past.
Those filthy feet look like a month of dirt amassed.
I’m so glad dance is part of my son’s education.
An object in motion continues in motion.

At least every quarter, the River Valley Elementary Studio Schoolin Spring Green has what is called a “culminating event,” where students display what they’ve learned in the previous unit. We’ve seen art galleries, tableaux, singing and now dance. Students worked with local professional dancers, along with their regular teachers, to choreograph the states of matter and the laws of motion, and at the end of February, we got to see them dance to “Solid Liquid Gas” by the band They Might Be Giants (as well as more classical works).It’s not just what you learn—it’s how you learn it, where you learn it, and how you demonstrate it. All of it matters.

Or, as one of my former students said recently, “You don’t break with your arms. You break with your butt.” He had just executed the most authoritative break I have ever seen. The pool table in the UW-Richland student center always has a mix of some of our most and least diligent students. This particular student has not had the most straightforward path through our traditionally-takes-two-years Associates Degree, but he has some solid momentum going now. It has been interesting, and encouraging, to watch him at rest, in motion, and exerting force—not necessarily in that order.

There are so many ways, and so many places, to learn the laws of motion.

Pedagogy Stew: March 2013

I’ve invented the most amazing computer game for my
composition students.

When I comment on their essays, which they’ve turned in online, I use “insert comment” to give feedback. There are pros and cons to this, of course, but one major PRO is that I’m now confident students can read my feedback. (I have handwriting issues. Lowest grade I ever got in my life? Penmanship. Fourth grade. At the time, I was sure Mrs. Cox had it in for me, but on reflection, I
think, no, that “C” was generous.)

Here’s the game: After I’ve finished grading the essays, their next assignment is a short exercise in which they should copy/paste one of the comments I’ve made, and then describe what
resource they looked to for help (online grammar site? our textbook? class notes?) and what
they plan to do to improve before the next essay.

All right, so…not so hot as a game.

It is, however, a fairly good test of their ability to navigate the online environment of digital essays and professorial feedback. Fairly often I have a non-traditional student who struggles online. (Drop-down list? Double-click? What’s that?) It’s not just non-traditional students. We think of Millennials (those born between 1980 and 2000) as being 100 percent wired, but I don’t
find them to be 100 percent proficient in computer usage that helps in the classroom. They can text,but word processing? Maybe not. They all use Google, but they may struggle when online research involves a database that uses Boolean logic or traditional Library of Congress Subject headings.

This round of essays, in each final draft, I am burying a link to an article in Nature
on the subject of “distributed thinking.” In “People Power: Networks of Human Minds Are Taking Citizen Science to a New Level,” Eric Hand describes how a group of scientists came up with Foldit, an online game in which “players compete, collaborate, develop strategies, accumulate game points and move to different playing levels, all while folding proteins.”
Computer models were thorough but slow—when gamers got involved, things went faster because, as Hand points out, “humans[are] blessed with a highly evolved talent for spatial manipulation, [and] can often see the solution intuitively.”

Beyond gamification (which means structuring learning, or anything else, like a game, with rewards—like giving chocolate for correct answers), what distributed thinking makes possible is
turning those skills our students use in gaming (and, um, some of us might possibly, occasionally, use in something girly and ridiculous like “Candy Crush,” a game that reports results on Facebook) into skills that could help solve real-world problems.

It isn’t just that I would like students to bring some of that persistence to their academic tasks. I would. But I would also love to figure out how to translate challenges (inside and outside academia) into the LANGUAGE and CULTURE of gaming, ina deep and serious way. Maybe then, when my son grows up, all his app-addled gaming hours will be a real asset.
______
6/15/13 NOTE: I ended up putting the link to the Nature article inside some Extra Credit directions–three students were very excited to find it. Next semester, I’ll think of more ways to make their hunting & clicking more rewarding.

I was talking about this to a student as we were searching EbscoHost (and online service with multiple databases to find articles) for sources for one of his papers, and told him I wished someone could structure searches like this as a game. He got it instantly: “Well, sure, like EbscoHost is a hallway, and….”

I can’t wait for the iOS version!