Category Archives: Car Sonnets

AFTER SCHOOL SPECIAL

Am not the productivity queen, though trying,
every bad habit I have is worse right now.
I’ve learned a new word—“recrudescence.” Wow
is that my life at 3 a.m. I keep thinking I’m dying
from the virus that makes my lips a little blue
but is not, not according to the test, the hot new sick.
You can learn a lot about a person in a pandemic,
but what you think you know might not be true.
I’ve been thinking about the shows I used to watch after school.
Who would and wouldn’t wear a mask because it was or wasn’t cool.
Leave it to Wally to be the most consistent.
The Beave would try but lose his in a minute.
The actor who played him just died—let’s take a second to grieve—
or really however long we need—but I think we can all agree
Eddie might wear his mask in front of June,
but he’d take it off the moment she left the room.

—–

(pandemic poem #11)

Dream Song #2

I almost never want to leave the street
where my dream is taking place, but things
move fast so I can’t linger. The other night
I was in Butte (I think) and everything
was Irish, St. Patrick this and Brigid that,
mint green signs and throbbing drums and drunk guys
and a sense that things were turning dangerous
and I was walking, not driving, down a very narrow street.
That’s it. That was the end. I wasn’t afraid.
A man I know who lost a tooth in Butte
(for real) has cancer. I dreamed about him last night.
A gallery show, collages of himself, most naked,
which he called “The Ravager_________.” Next to the cheese tray,
he was selling tiny brown cloverleafs he’d crocheted.

_____

img_1802

Behind. Alive. So Bright.

New snow and hoar frost and every cliché
about crystals and diamonds and stars—
my commute the other morning was bright
while my mood was altogether grim, standard
mid-semester stew of “I am so far behind”
with big chunks of “I live in squalor” and
an extra soupçon of regret. Remonstrance
aplenty as I set out for work and yet
those damn sparkles everywhere,
especially on the red blackberry canes,
and I won’t say the grimness diminished,
but I played like each spot of silver
shining in the morning sun was one more thing
I needed to do that wasn’t yet done
and honestly I’ve never felt more alive.
_____
img_1602

The snow, thankfully, is mostly gone. But the bottles in my garden are glowing.

Everything.

Like when there’s a good-looking man on a tractor
driving on the shoulder and he’s bouncing
because it’s an old tractor, a Farmall, the best kind—
before I got up to him, he was in silhouette, all black
because the sun behind us was orange and pink, a peach,
the whole sky was a peach, the sun a bright red frisbee,
on probably the last truly muggy day of the year,
the last day of September, before the cold in October—
I’m telling you it was hot and he was hot and I was hot.
Everything was on fire—that’s what it was like.
What? What was like that? Everything.

thumbnail

Imperiled

The snow’s off-white, the house is white, the sky
is pewter-gray, the buggy’s black, and also black:
the horses and most of the laundry on the line
except for a little rose and green and one kind
of blue so patently Amish it should be called that.
Oh, and the underwear, the private flying
proudly in the open, nothing white,
just various degrees of beige that look like linen
sails billowing, contrasting very slightly
with the piles of dirty snow they’ve shoved aside,
the temporary patio furniture of winter
the children might jump off of when there’s time,
when they’re not hard at work or cutting a slice
down the shoulder of the road: when it’s ice
I’ve heard they skate there but I
have only ever seen them standing by
their parents or in a circle outside
what I think is a school where they were either
playing or getting ready to fight,
which I know they aren’t supposed to do. So why
did it look so menacing, the four or five
boys I saw, closing in on another child
as I drove by, that’s what I do, I drive on by,
that’s what we do out here, the road signs
with the graphic horse and buggy trying
to tell us slow down, watch out, use your eyes,
because the next hill you’ll go over is blind
and you won’t see them until you’re right
on top of them, a whole family on your right
with bright specks of color but mostly wearing night.

Slide1

This month I’m trying to hunt for green as I drive–I’m considering it mindful driving. One of the shades of green I see on Mondays when I’m driving to Kickapoo High School, as I drive through Amish Country, is the occasional green shirt on the clotheslines of Amish families–close to the shade above. The laundry on the line is mostly black and beige. But some blue and green and a shade of kind of rosy-plum.

And then you see the crossing guard dancing

She has the greatest hats, this crossing guard, cheesehead of course,
and jester’s bells, but lately there is no hat capable of covering up
her bare head so you know there’s chemo of some kind happening
which you haven’t mentioned to your kid but of course he’s noticed.

Sometimes each day’s a shithole full of rotted wood and spikes,
rusted iron ones that gouge you on the way down and down
and unfortunately you can’t stop knowing then, there’s always more
bad news and bad decisions and consequences you kind of did
but didn’t quite deserve but then the Pogues are next in the queue
and there isn’t anyone better than Shane MacGowan to illustrate
however much life sucks, however big a mess it is, there is joy
and music in the middle of it, in the goddam muck of the middle of it,

and then you see the crossing guard dancing as she points and signals
and you and your son together feel brought low by her being sick
then lifted up by her dancing and you nearly sob on the way to work
with happiness, with gratitude, for drunk tanks and police choirs
and you say out loud, “my heart” by which you mean your child,
and also the leaves starting to change color, and just your little, little life.

cropped-silver-maple-7585.jpg

Gullywasher

IMG_8999.JPG

At least no one was tailgating tonight
on the way home from work. It was a mess
of almost hydroplaning in the ruts
and lightning striking—BAM! with thunder right
away. And super low visibility
sometimes, I’d think “I should pull over now”
but then I couldn’t see where or how
and then it would clear up a little. Briefly.

The mulberries and mulberry-flavored bird shit
on my car is gone, washed away to compost
somewhere I don’t know where. Is that it?
You accept your level of suffering and the most
you can do in the dark is find the tiniest spot
of light? Clean car, and I’m alive. That’s actually a lot.

Purgatory, Kentucky (done?)

It got to where I couldn’t see a way
ahead except for dying. So I went.
Or, so I came. Just where, I couldn’t say.
It’s odd. Some kind of grass, or cane, all bent
this way and that, slick at the root,
and spiky sharp half the time, black as coal,
but soft enough to lie down in, some spots.
I’d have slept more, but my dreams are full
of nasty animals and dead presidents.
I got attacked by a whole fleet of armadillos
in a river. An armada. Is that what you call it?
Abraham Lincoln himself chopping wood. “Hello
Mr. Penny Man,” I said. He spoke not a word.
But this ain’t Hell. Of that I am assured.

This ain’t hell. Of that I am assured.
Would there be moderately cold beer or
would they let me keep my truck if torture
was on the agenda for now and ever after?
You might say yes, but I think not. No way.
I will admit that I have odd dreams.
But nothing scary, really. Nothing mean.
Just weird. Like a really long nap in the middle of the day.
There’s not much else to do. I could reflect
on all my trials and tribulations, the error
of my ways, but where would be the profit in that?
The wicked queen’s mistake was looking in the mirror.
She couldn’t rest in her own head and let
the young ones be the ones to stew and fret.

The young ones are the ones who stew and fret,
yes, even here they do. I tell them to relax,
but I do recall what it was like, to be fraught
with longing for a certain someone’s kiss,
the way a particular set of hard calluses
could raise a wave of shivers on my skin,
then one touch later heat me up fast,
so hot for more, I would do anything….
There is no profit in that kind of thought.
The man whose hands I speak of is not here.
I’ve grown restless all the sudden, not
full of life, I wouldn’t say, just bored.
Turns out I dislike it, this world without end.
The ferry’s here. I guess I’ll drive on in.

The ferry’s here. I guess I’ll drive on in.
I tell you if I’d known I’d have my truck
on this side of, well, whatever side I’m on,
I’d have done myself in sooner. Just my luck
the ignition switch is still a fussy thing
which I guess means this isn’t heaven.
I never really minded when it wouldn’t start,
just took the time to admire my good old Ford,
Bought it new in ’72, Grabber Blue,
What was there me and my girl couldn’t do?
My favorite thing I ever hauled? An outhouse
that my Mama did NOT want me to take away.
“When your crazy cousin Vernon visits,
I like to have a quiet place to pray.”

I like to have a quiet place to pray,
and sitting, waiting, in my truck, well that’s
about as quiet as it ever gets
because the radio died in ’88.
When a radio dies where does its music go?
They say sound waves never really go away.
I don’t understand everything I know
about that. I guess I believe that sound’s a wave.
I guess I believe there are tiny bones in my ear,
a hammer and an anvil and a horseshoe? Is that right?
I wonder if they’ll be taking questions there.
I wonder if it’s always kind of twilight.
There’s the ferry now—I guess it’s time
I got myself in gear and got in line.

I got myself in gear and got in line
but wow, this line’s not moving. Not at all.
Then suddenly I’m hearing “Begin the Beguine”
a song I didn’t even know I knew. There’s a swell
of trumpets and what is that? An oboe? I don’t know.
And now a woman in a cape has stopped
by my truck. She’s a nun. So I guess it’s not a cape.
She says she’s a Beguine. Go with the flow
is what I’m thinking. There. We’re moving some.
The nun is in my truck. She sings along
to “Smoke Gets in Your Eyes.” I only hum.
I never could remember all the words to a song.
And now we’re going slow again, so slow
we might be backing up. I just don’t know.

We might be backing up. I just don’t know
if I’m alive or dead, asleep, awake–
but then, my whole life (a hundred years ago)
has been like that, blurry on the day-to-day
and sharp, in focus, only now and then.
Is that depression? Or is it being dumb
about what matters? I kind of drift along
a lot. My favorite thing was being at home,
just doing nothing, which is why my house is a mess.
Or was a mess. I’m sure it’s still a mess.
I’m the only one who ever cleaned.
But if I’m dead, what’s home? That’s what I mean.
There’s really nothing left to do but pray.
It’s gotten to where I cannot see the way.

_____

I began writing this crown of sonnets in April of 2013, as part of National Poetry Month, and NaPoWriMo.  I’m slow.  I would remember it every now and then and add a sonnet to it.

It’s a curious project–it began as a challenge sonnet when I was on my way to Manitowoc to do a reading.  I can’t remember all the parts of the challenge, though I think Abraham Lincoln was in it, and I definitely remember my friend Becky asking that I include Boyd Crowder’s hair.

Walton_Goggins_March_19,_2014_(cropped)

This is Walton Goggins, who played Boyd Crowder on Justified. On the show, I think Boyd used more hair product. (Image from Wikimedia Commons)

Because I loved Justified so much, putting Boyd in the poem opened all sorts of possibilities. I immediately heard the voice of Mags Bennett, played by the amazing Margo Martindale (one of the best villains with one of the best story arcs in all of tv land, ever). That’s why it was Purgatory, Kentucky.

But as I wrote it, I was less and less sure of Mags’ voice in the poem, or the need to have her narrate, so I’ve revised a lot of that out of it.

It doesn’t have much to do with Kentucky at this point, so I’ll probably change the title. It could be Purgatory, Illinois.  The outhouse portion happened in Southern Illinois, which is itself sort of a blurry place, not entirely southern, not entirely midwestern…  I actually like the sound of Purgatory, Illinois.

In any case, I believe the draft is done, and that means that I’ve now written four crowns–“Mothering God” was the first, and then “Each Other’s Anodyne,” and then “Mobius Strip of a Man,” and then this one.  I’m now working on a heroic crown of sonnets about my back surgery at the Shriner’s Hospital for Crippled Children (it’s not called that anymore).  I actually have this vague memory of writing another crown of sonnets, but surely I’d remember it clearly if I done it, right?

Purgatory, Kentucky (5/7)

I like to have a quiet place to pray,
and sitting, waiting, in my truck, well that’s
about as quiet as it ever gets
because the radio died in ’88.
When a radio dies where does its music go?
They say sound waves never really go away.
I don’t understand what all I know
about that. I guess I believe that sound’s a wave.
I guess I believe there are tiny bones in my ear,
a hammer and an anvil and a horseshoe? Is that right?
I wonder if they’ll be taking questions there.
I wonder if it’s always kind of twilight.
There’s the ferry now—I guess it’s time
I got myself in gear and got in line.

5136696196_ac865bc1da

Ferry on Highway 169 somewhere in Kentucky (a Creative Commons shot from Edlitmus on Flickr)

Tin Whiskers

“Tin whiskers are easy to miss, thinner than a human hair. They look like metal fuzz. They grow — for reasons scientists don’t understand — from plated tin surfaces, millimeter by millimeter. And if they bridge two closely spaced circuits, tin whiskers can cause a short.” Todd C. Frankel, “A Carbondale professor, runaway Toyotas and the hunt for ‘tin whiskers'”

1 (a found poem, from the same article)
“None of this happens if David Gilbert keeps his Ford
F-150 truck. Not the threats to his job
as a professor at Southern Illinois University Carbondale.
Not the corporate intimidation. He never would have
testified before Congress. And he never would have met
those NASA scientists, the ones who ended up
naming an electrical effect after him. As a gift,
they gave him the black NASA coffee mug
sitting on his desk — the one he’s sipping from
right now. The mug reads, ‘If it’s not safe, say so.’”

2
But he traded in his truck for a Toyota.
This is when they were crashing, speeding up,
Toyotas were, getting recalled. He was a curious,
and tenured professor, and had an automotive
lab, so he hooked his truck up to a machine
(it looks like steam punk in my brain, with gears
and cogs and whistles and clocks) and caused an error
the truck’s computer missed, again and again.
Here’s the movie he’s the hero of—
Big bad Toyota tried to trash his name.
My alma mater tried to stop his work.
He just kept telling the truth. It’s almost like
some people have tin whiskers inside of them.
Inside of him, a regard for truth, almost like love.

_____

I like to read the online versions of newspapers from places I’ve lived in the past, or places I’m interested in. Thus, on any given day, I might check out The Missoulian (oh! those years in Montana!) or The Southern Illinoisan (the place names alone are worth it), and though I never lived in St. Louis, I spent a fair bit of time there. The article referenced above was in the St. Louis Post Dispatch online, written by Todd C. Frankel, who now writes for the Washington Post.

It’s a well-written article, a complex and compelling story.

It speaks to so many things, including the enduring value of tenure.

So, bravo, Mr. Frankel, and yay for Professor Gilbert, who really does strike me as a hero.