Category Archives: Bloem or Pog

Dream Song #7, Pandemic Poem #8

O it was a zappy, snappy kind of play,
a gum-chewing-broad kind of play,
little bit of a farce, little shedding of tears,
one of those whodunnit/I-did-it! plays.
And right at the end they did a little two-step,
a shuffle-tap, heel-step, second buffalo,
curtain call. And they were gone.
But as we all stood up to leave,
a guy we’d never seen before
came onstage. What had been pink
and aqua, very 1950s Miami style,
was all gray now. Lighting design
or point of view? Or both?
Everyone saw, everyone knew, all at once,
as he felt his way across the stage,
saying “canopy bed” instead of what it was,
a ratty mattress on the floor, saying
“four course dinner” and not “paper bag,”
that he’d made the whole thing up
in his head, all of it, the repartee, the chemistry,
the happy dance, the stolen kiss,
the mystery, the denouement,
and we stood and looked at each other,
not sure if the play was ended or how
indeed it could end, because
who made this part up? Did he? Did we?
Should we leave? Are we real?

_____
I’m not the only one having weird dreams lately: even the National Geographic says so.

Quarantined Uterus (pandemic poem #6)

–for Alison Gates

Is your uterus quarantined in my office?
Is it velvet? Latex? Mod-podge? Wires? Ribbons? Lace?
If so, I apologize. You’ll get it back. I promise.

Were you in the original exhibit? Are you one of us?
Are your creations fearfully and wonderfully made?
Is your uterus quarantined in my office?

Do you spend more or less time now taking offense?
Has your life been irrevocably derailed?
If so, I apologize. You’ll get it back. I promise.

Let us now praise our famous menopauses.
The big one. The peri, which stops and starts, like waves.
Is your uterus quarantined in my office?

Has yours been removed? Do you miss it? The mysterious
bloody Weltanschauung a uterus contains?
If so, I apologize. You’ll get it back. I promise.

Are you sewing like a banshee gone all Amish?
Has your normally sufficient equilibrium been mislaid?
Is your uterus quarantined in my office?
If so, I apologize. You’ll get everything back. I promise.

This is Alison Gates’s contribution to the Exquisite Uterus project.

_____

This poem was inspired by a Facebook comment from Alison Gates in which she said, in response to someone asking if she was referring to the Exquisite Uterus Project, “Yes! Are you one of us? Is your uterus quarantined in my office? If so, I apologize.” This may well be my first found poem. (The woman Alison was responding to quoted “fearfully and wonderfully made” from Psalm 139 in her contribution, so I was inspired by her, too.)

Alison Gates & Helen Klebesadel (two of my feminist / academic / Wisconsin / inspirations) started the Exquisite Uterus Project   in 2012 as protest against the (unfortunately) continuing (and unfortunately escalating) war on women. I was lucky enough to see the exhibit at the University of Wisconsin System’s Faculty College, which used to be hosted on my sweet little UW campus.

My villanelle here isn’t particularly political except in the sense that I truly believe the personal is political, that it’s political to speak plainly of our lady parts, and I aimed the question about taking offense at people who are offended by the word “uterus” or any hint of women’s agency, humor, intelligence, vast creative power, etc.

My own relationship with my uterus is very much defined by perimenopause these days. My brilliant body chose this pandemic as a moment in which to say “yeah–no–we’re not done with all that yet.”  So that explains the direction the poem went.

In any case, I believe reproductive rights are human rights. That women’s rights are human rights. In case anyone ever had any doubt.  And I’m concerned that people are using the pandemic as an excuse to curtail abortion rights, such as this story from NPR, which describes such attempts (and at least momentary judicial remedies).

In the meantime, I am happy to celebrate amazing, creative women who share their work and their passion and their generosity.

Bad Habits (Pandemic Poem #5)

“Do you realize the illicit sensuous delight I get from picking my nose? … Or sometimes there will be blood mingled with the mucous: in dry brown scabs, or bright sudden wet red on the finger that scraped too rudely the nasal membranes. God, what sexual satisfaction!”  Sylvia Plath

 

Eternity’s stopping and starting all the time—
my fingers shake. I count to three.  Apparently
I can’t stop touching my face to save my life.

I cover my mouth, two-handed. I don’t know why.
Afraid of my breath? Of what I’ll say? Beats me.
Eternity’s stopping and starting all the time—

if our fair-haired Sylvia hadn’t died from suicide,
her sexy rhinotillexomania would currently be
why she can’t sit on her hands to save her life—

I picture nails with a Betty Draper shine,
a shade of pink called Cool Eternity.
Depression stops and starts all the time

for some of us, a tide that likes to rise
and fall, constant. Irregular. Seriously,
I can’t stop touching my face to save my life.

Knowing myself the way I do, it won’t be a surprise
if I die from fidgeting. I hope it’s not immediately.
I can’t stop touching my face to save my life.
Eternity’s stopping and starting all the time—

______

Dream Song #5, Pandemic Poem #4

I dreamed I saw a Wooly dog descendant—
wiggle-butted, scruffy, ornery, clearly
one more in a long line of poodle-terrier mutts.
His owner said, “he’s a Rottweiler,” but
no way. Just too much Benji evident.
Black against the giant foxtail. Curly
in every way—tousled coat, bent tail,
wagging walk toward me when I called.
When I was little, we let our dogs run free
all day and shut them up at night. Also, we
got the girl dogs fixed, but not the boys.
Thus all the Wooly dogs in Southern Illinois.
Every single thing was looser then.
I was happy. My dogs were my best friends.

______

Napping with Wooly.

QUARANTINE ABECDARIAN THAT AMAZINGLY DOESN’T USE “QUARANTINE” FOR THE “Q”

Aline is a poet
Bob likes to fish
Chuck likes to throw things
Doug plays in the dirt
Ed likes to teach
Fanny likes to WHAT? WHAT DID YOU THINK I WAS GOING TO SAY?
Gale is a blowhard
Hi says hello
I spend so much time
Just amusing myself. I wonder if I can
Keep it up when we start
Losing people we know to the virus.
Mom and Dad are in lockdown
Now, we can’t hug them
Or even visit except online.
Prayers seem distasteful when the religious
Quacks sound them the loudest.
Really trying to focus, to be there for my
Students, but I feel stunned a lot of the
Time. But I keep trying. Which of
Us will turn out to have the right
Vision for how this all will
Work? Imagining the future takes e-
Xtreme optimism, which I don’t have. Do
You? Let’s talk about it more on
Zoom.

_____

I’m not much of an optimist, but in a few weeks, my azaleas will be blooming.

Pandemic Poem #2: Singing Happy Birthday Alone

Life might get back to normal, but I don’t know when.
I’m trying to work. I’d rather nap. I just wash
my hands and sing happy birthday again and again

and watch my hands dry out. Here’s another concern:
if I don’t strive hard right now, really push,
my life will never, ever be normal again.

Pandemic, panic, politics. Alliteration is not our friend.
While I wait for everything online to crash,
I decide to wash my hands and sing happy birthday again.

I want to be a superspreader. I want people to die. I want
to die. I’m not as shocked as I should be by my awful thoughts.
“Things will get back to normal.” Can you tell me when?

I’m grateful for root vegetables and food in cans.
My hero potatoes: fry, roast, boil, mash.
Will we ever sing happy birthday at a party again?

How soon we have to cook over open fire depends
on how well the grid holds up. Such a specific wish.
Life might get back to normal, but I don’t know when.
I’m singing happy birthday all alone again.

Shantung Time

How will we say we’re less vulnerable
Without being vulnerable? “Oh, we don’t
DO that anymore,” we’ll say, when someone shares
A little too much because all sharing
Has become oversharing, other than strategies
For getting stains out of the shantung
Pillow covers and the shantung pencil skirts
And the shantung drapes, because yes,
We are moving to a time of nubbly silk
And charmeuse and chiffon and brocade,
The 2050s, what we’re longing for,
Not there yet, but it’s coming,
A time when outside the gates there’s chaos
But inside the walls there’s harmony
And quietude and busy, humming bees,
All dearly bought and all we have to lose
To get there is our urge for authenticity.

______

Shantung skirt and jacket

“Dräktjacka” by Mölndals stadsmuseum is licensed under CC BY 4.0

This poem has been published in the fantastic journal One Art: a journal of poetry https://oneartpoetry.com/2022/01/05/shantung-time-by-marnie-bullock-dresser/ . Check it out there & check out all the other work there–I enjoyed all the work published with my poem here for January: https://oneartpoetry.com/2022/01/ especially the short poem by Nicole Caruso Garcia (I always think short poems are so brave! and this one’s funny, too)

Dream Song #3

Does cultural appropriation demand intent?
What if what I did was only in a dream?
I watched an eagle landing on a chicken

over and over and over again.
It was some kind of Native American thing.
Does cultural appropriation demand intent?

I decided I should weave feathers into a crown.
It looked like a massacre, but there was no harm
done by the eagle to the chicken.

We started singing, loud, “C’mon
Let me see you shake your tailfeather.”
Does cultural appropriation demand intent?

We were being assholes, absolutely stomping
around, not caring. We didn’t belong there.
Could you watch an eagle groom a chicken

and not wake up laughing like I did?
Is it my fault I summoned John Lee Hooker?
Does cultural appropriation demand intent?
I am sorry. For the singing and the laughing. And the eagle. And the chicken.

_____

I feel like my subconscious is a mess.

Dream Song #2

I almost never want to leave the street
where my dream is taking place, but things
move fast so I can’t linger. The other night
I was in Butte (I think) and everything
was Irish, St. Patrick this and Brigid that,
mint green signs and throbbing drums and drunk guys
and a sense that things were turning dangerous
and I was walking, not driving, down a very narrow street.
That’s it. That was the end. I wasn’t afraid.
A man I know who lost a tooth in Butte
(for real) has cancer. I dreamed about him last night.
A gallery show, collages of himself, most naked,
which he called “The Ravager_________.” Next to the cheese tray,
he was selling tiny brown cloverleafs he’d crocheted.

_____

img_1802

Big Drummer Man

What if the Little Drummer Boy grew up
to be Big Drummer Man, a butcher perhaps,
with skins aplenty to manhandle across the tops
of barrels and pots and one precious little cup
that someone drank some special wine out of,
(Jesus maybe, yes, that’s who it was),
so that all along the Via Dolorosa,
every single, sorrowful step, there rose a
tattoo (the skin kind is the second definition,
thank you very much), a pummeled out
percussion code, spelling with every beat
not “inadequacy,” but “indignation,
causing Mary to nod to the beat and from
up high the grown-up baby smiled at him?

I know the little drummer boy did his thing in Bethlehem, not Jerusalem, but hear me out–any kid who plays a drum for a baby isn’t going to just GO AWAY, especially not after mother and child both encouraged him. I figure he stuck around and made a nuisance of himself, kept in touch, essentially stalked the holy family, drumming the whole time, and I picture them feeling about him the way I feel about the song–partly charmed, partly annoyed.

Not happy yet with the title. I considered these:

OK WHAT WISE GUY PUT A CROWN OF THORNS IN THE MANGER

WE CAN’T HELP SEEING A CROWN OF THORNS IN THE MANGER

ON THE HEAD OF THE BABY IN THE MANGER LIES A CROWN OF THORNS

HEY DRUMMER BOY I CAN SEE YOUR HOUSE FROM HERE

CHRISTMAS IS SALT, EASTER IS PEPPER