Tag Archives: poetry

Leaving the French Quarter

New Orleans, sexy tuba, shiny and hot,
I love your blackened bologna, your powdered sugar kiss,
but this is not my life. I’m glad it’s not.

I’ve rubbed fat blisters on both my feet
rambling the Vieux Carre. Such sweet excess,
New Orleans! You’re a sexy tuba, shiny and hot,

redirecting traffic so the music doesn’t stop.
I love every one of your Marsalises.
This is not my life. I’m glad it’s not,

but watching a finger of fog pointing at the top
of the St. Louis Cathedral, I know I will miss
New Orleans, sexy tuba, shiny and hot,

whose sweaty kiss gives my hair ringlet-
driven waves and curls, which I love, but this—
this is not my life. I’m glad it’s not.

There’s music everywhere. Even the drinks
sound like songs. Contessa. Sazerac. O absinthe!
O New Orleans, sexy too muchness, already hot—
this is not my life. I’m glad it’s not.

 

_____

This was my first time at the conference for the Popular Culture Association–it was pretty great. I heard a lot of really good poetry & was so happy to meet new poets and talk poetry.  Went to good panels–I have such smart colleagues in the UW Colleges!  And of course I enjoyed the food and beverage and music aspect.

 

Let me say a little more about the Blackened Bologna.  It was a house special at Evangeline, and I would recommend the restaurant and the dish, invented by an old friend of mine, Jim O’Shea.  We hung out in Carbondale about a million years ago (well, 30+) and haven’t seen each other since, but thanks to Facebook, I knew he was a chef in NOLA, so I made a point of going to Evangeline & I’m glad I did. I talked all my UW Colleges peeps and some new friends into coming along, and everyone’s food was good.  I could NOT resist ordering the Blackened Bologna–too hilarious.  But it actually tasted really good, and if you’re having nostalgic thoughts of friend balonie curling up in the pan, forget that–this is a serious hunk o’ meat.

 

But, even though I had an awesome time, I am happy, happy, happy to be going home to my family and to Wisco, even though there are budget cuts looming like a thunderhead, and even though everything is still early-spring cold and raw and brown and gray.

The funniest thing was every one of us was wearing black the morning we got these.  Rookie mistake!

The funniest thing was every one of us was wearing black the morning we got these. Rookie mistake!

The Contessa from the French 75--now I now what to do with all the rhubarb that SHOULD be coming up soon in Wisco!

The Contessa from the French 75–now I now what to do with all the rhubarb that SHOULD be coming up soon in Wisco!

A sazerac from the Mahogany Bar.

A sazerac from the Mahogany Bar.

I got to see the Jason Marsalis Vibes Quartet--phenomenal!

I got to see the Jason Marsalis Vibes Quartet–phenomenal!

Best use of flamingos award.

Best use of flamingos award.

The river this morning.

The river this morning.

Fog coming in off the river.

Fog coming in off the river.

CONTEMPLATING THE DECLINING PERCENTAGE OF INVESTMENT IN HIGHER EDUCATION AND IN PARTICULAR LEGISLATORS AND GOVERNORS WHO NEVERTHELESS CHEER HARD FOR THEIR SPORTS TEAMS, WHILE ALSO MULLING THE CURIOUS MANEUVERS OF UNIVERSITY LEADERSHIP THAT MAY OR MAY NOT YIELD GOOD RESULTS FOR THOSE OF US IN THE TRENCHES, SO TO SPEAK

—a found poem using direct quotes from the first season of The Wire

The game is rigged. But you can’t lose if you don’t play.
You don’t hand no money to nobody that matters,
you don’t get no product from nobody that matters.
We ain’t got shit. But is there any other fucking way?

You start to follow the money, you don’t know
where the fuck it’s going to take you. Shit.
I’m starting to worry more about the ones that claim
to love me than the ones that don’t.

You come at the king, you best not miss.
You know something? You’re no good for people, man.
I mean, damn, everybody around you. Christ.
You’re back from the dead. You rolled away the stone.

All I know is I just love the job. I know the shit is weak
but shit is weak all over. Cool. Whatever. Shit. Fuck.
Fuck fuck fuck fuck fucker motherfucker fuck me.
So you write everything down? Yeah. Everything.

Sparrow on barbed wire. By See-ming Lee from Flickr, Creative Commons

Sparrow on barbed wire. By See-ming Lee from Flickr, Creative Commons

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If you want a good voice that isn’t quoting lines from The Wire, check out Chuck Rybak’s Sad Iron blog.

Daylight Savings and Loan

They say you get the hour back in the fall
but it’s so old by then you’ll hardly know
it’s yours. Remember when your postpartum ghost
convinced you that you’d been sent home, arms full
of someone else’s baby? That wasn’t true.
Come fall, don’t fret that time. Just sleep right through.
But what if we got to pick which hour to lose?
The wasted hour? The bad phone call? (To choose–
as if we could control the clock–but wait–we do.)
What interest would that time have then accrued?
Would we regret the moment and the choice?
Would we learn how badly our intentions screw things up?
Yes, and yet–we want to scream it–Cease! Desist!
to our mistakes, to family, friends, and also, yes,
to the officer who shot to kill and not to stop.

—–
I feel the need to say this very carefully.

Another young black man has been shot and killed by the police. There are peaceful protests planned.

I am praying today for the family and for the city of Madison.

I can say, carefully and logically, that I am not anti-police, that I truly appreciate how they put themselves in harm’s way so many times to protect the people they serve.  I understand, logically, and legally, that a police officer can have just cause for shooting. But as much as I believe those sentences, I also know I  write them from a position of middle-class white privilege, so I almost wanted not to write this paragraph at all.

What is more important to say, for me to say, is that the reason police keep NOT getting the benefit of the doubt is because of persistent racism.  That’s what they just found in studying Ferguson.  And there are ongoing conversations about the problems in Madison related to race.  This latest round of talks was sparked by a special editorial by Rev. Alex Gee in the Cap Times called “Justified Anger.”

I find that editorial thoughtful and disturbing. It should disturb me. It should move me to act, but I don’t always know how to act. Or when.

I might not know what to do, but I did know one thing not to do.

I’ve been thinking about Daylight Saving Time, which I hate, and I’m working on some flash fiction about it, and the first two lines of the above poem occurred to me yesterday, and as I began writing it, I wanted it to to be a mildly thoughtful but mostly silly poem about the urge to mess with time, to stop time, to take things out of time.

But what would that mean, to write a mostly silly poem when once again another young black man is dead at the hands of the police, and this time, really close to home? I couldn’t do it.

It’s not much, but I made this poem and this post not totally about me and my silly thoughts.

Of all the recent hours I’d like to lose, I’d like to lose the one where Anthony Robinson died.

Tony Robinson, in a picture from his mother's phone.

Tony Robinson, in a picture from his mother’s phone.

Deadline: Epiphany

“Traditionally it is bad luck to keep your Christmas Decorations up beyond Twelfth Night – the last of the 12 Days of Christmas.” Plymouth Herald

Some years I can’t wait for the tree
to come down. I want it up
the day after Thanksgiving and then
everything put away before New Year’s.

My friend Bellamy left hers up
through Valentine’s. Probably more than once.
A real tree—brown by the time
she got it out to the curb.

But this year I’ve wanted Christmas
to last a little longer, for the event
part of Advent not to be here quite yet.
I’m not sure why. I had good holidays,

a nearly perfect mix of quiet and fun.
Maybe that’s why. Of course that’s why.
I’ve brought out other candles to use
because it’s still dark so early in the day.

It’s still cold. I’m still longing
for something to happen and yet not
wanting anything to change.
Waiting for the wise gifts to come.

Just a few of the non-holiday candles I've dug out.  On a clean stove!

Just a few of the non-holiday candles I’ve dug out. On a clean stove!

(I actually also think one of the reasons I’m not ready to be done with the season is that I love, love, love Aimee Mann’s One More Drifter in the Snow. I’m not ready to stop listening to it. So I won’t.)

Gathering it up to put it away. NOTE THE HOLY BLATZ TRAY we use for the advent candles.

Gathering it up to put it away. NOTE THE HOLY BLATZ TRAY we use for the advent candles.

Note to the Construction Crew

The rose that was still blooming has been moved,
but I should warn you (and I hope you’re forgive me)
I left the lopped-off thorny stems for you.

I know it’s not your fault, construction crew.
It wasn’t your idea, this demolishing.
The rose that was still blooming has been moved

to the backyard; I may have killed it in the move.
Just watch out when you get to work on my street–
I left the lopped-off thorny stems for you.

I don’t have a truck anymore. I wasn’t enthused
about another trip to the dump with the debris
of the rose that was still blooming. It’s been moved

for regrading and storm drains. Whoo hoo!
Let’s hear it for your very big machines!
I left the lopped-off thorny stems for you.

Whatever’s stopping progress is going to lose
so I didn’t try to slow or stop anything.
The rose that was still blooming has been moved.
I left the lopped-off thorny stems for you.

_____

Roses and irises--all moved to the backyard.

Roses and irises–all moved to the backyard.

All the Ramones are dead and I am old.

All the Ramones are dead and I am old.
Can you guess which of those two items made the news?
My bottle rocket’s grounded, ashed over and cold,

not hot like when I aimed it at a friend,
both of us drunk, young wildness on the loose.
All the Ramones are dead and I am old

enough to have liked them before they were old,
when they were hot, when they were cool,
not like a bottle rocket on the ground, ashed over and cold,

but cool like benzodiazepines. All my bold
endeavors seem dangerous now. I’m blue.
All the Ramones are dead and I am old.

One time a friend dressed up as Joey Ramone,
but he looked like Emo Phillips, to tell the truth.
My bottle rocket’s grounded, ashed over and cold,

but I might have a little firepower left in my head.
I’m anxious to figure out what I can do
because the Ramones are dead and I am old,
with only a bottle rocket, ashed over and cold.

Image

The Noble Gases

for Max Garland

No wonder I can never remember all eight—
there are only six. I have a placemat
with the periodic table of the elements on it—
I guess it’s time to get it out again.
The ones I never forget are neon
and radon—bar signs and killers in the basement.
I usually remember Superman’s Achille’s heel,
thus krypton, and if I think of Jason, I might
think of Argonauts and thus argon, but
usually I don’t. Almost never will
I think of helium, the most famous one,
the silly voice, the birthday balloon,
the one that can overfill your lungs
and kill you, leeching all your oxygen.

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Working on part 2 and 3 of this poem–will post more soon.

What a pleasure it was to hear Max Garland read at the Aldo Leopold Center on an absolutely perfect Wisconsin summer night. I always enjoy his poems and he spoke so earnestly and well about the importance of art, of making it and supporting it, I found I had tears in my eyes a bunch of times.

Here’s a photo I took as I resisted the mingling part of the evening–I couldn’t bear to be inside on such a gorgeous night.

The Aldo Leopold Center outside Baraboo.

The Aldo Leopold Center outside Baraboo.

This poem came in response to his poem “Hydrogen,” which is available through the Western Kentucky University English Department website.

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I have fond memories of WKU, where I once participated in a marathon poetry reading. We read forever there. We might still be reading there.

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How I Learned to Stop Worrying and Not-Hate Mother’s Day

Mother’s Day, Part 1: I Have Issues

“Rejoice with them that do rejoice, and weep
with them that weep” has been so hard for me
on Mother’s Day, just starting with myself
because I always felt both the yin and yang
of the day—deep gratitude for my amazing son
and mother and grandmother and so many others,
but not that by itself, because I also felt
trace elements of the grief from all the years
we were trying to get pregnant and could not.
Then so much hurt for the motherless, the ones
who never got pregnant who wanted to, the ones
who had mothers who hurt them or children who died.
And this word: miscarriage. Or this one: miscarriages.
And then so many who are childless by choice are told
so many times that choice is the one invalid one
of all our choices. And so I hated Mother’s Day
the first few years I was one and I still
would just as soon ignore it but I won’t.
_____

On Hating Mother’s Day (and other days)

I posted, on Facebook, for two or three years running, this diatribe against Mother’s Day by Anne Lamott. It always got such a strong response, positive and negative. The positive is relatively easy for me to understand and explain—there are a lot of us for whom Mother’s Day is not all sunshine brunch and flowers, for a lot of different reasons, and until Lamott’s piece, I don’t remember someone writing about “I hate Mother’s Day.”

In that, Mother’s Day is different from other holidays people tend to hate. Someone ambivalent about Christmas? Or angry about it? We might not agree, but we’ve seen repeated complaints about the commercialism of it, they way people who practice other faiths feel excluded, the way the war-on-Christmas-craziness asks us to pretend “happy holidays” is bad (when wishing someone a holy-day is pretty religious actually).

If someone were to write about being the adult child of an alcoholic and how Christmas was always tense when they were a child because maybe Dad would be drunk and abusive or maybe he’d just be gone, and either way, it was a relief when the day was over, we’d be sympathetic.

I think most of us are open to complaints about Christmas, even as we put up our tree and fa la la through the season.

Same with Valentine’s. If your romantic life is anything other than where you want it to be, this is probably not a great day, and we all get that.

Here are some holidays it would be harder to complain about and get general sympathy:

I imagine that if you’re a certain sort of conservative Christian who thinks demons are real, Halloween pretty much sucks. I also imagine that if you’re a pacifist, Veteran’s Day is difficult. Thanksgiving is all football and family and feasting, right? Unless you are a Native American. Or even if you’re just thinking about the way Native Americans might view the first Thanksgiving and what came pretty soon after.

In my experience Mother’s Day is more in this second group—just not something people are terribly open to hearing complaints about (especially from someone like me, with a living mother I adore, and a 9-year-old son who’s just awesome).

So that explains the positive responses—people who have ISSUES with Mother’s Day but have antipathy that dare not speak its name (a small version of saying “Voldemort” out loud).

And it explains some of the negative responses—people who just can’t imagine why someone could possibly hate such a lovely day that honors women who’ve blah blah blah.

The other negative responses have to do with the fact that Lamott is being pretty crabby and diatribey and not terribly logical (which she mostly never is, not terribly). My friend Jenny explains that well in her latest post.

She says Lamott’s  “vitriol is off-putting, and I disagree passionately with parts. By the end, I feel like I’ve been served what might have been a lovely soup were it not peppered with flies.”

Rejoicing With Them That Do Rejoice Or Not

“Rejoice with them that do rejoice, and weep with them that weep” is from Paul’s letter to the Romans. Ambivalent as I am about the man, I have to admit he just nailed it sometimes (am I remembering right that someone theorized he was short and ugly or did I just imagine that? I picture him that way, regardless).

Here’s why that verse is hard:

Times I’ve been unhappy with whatever portion of my life, I haven’t always done well rejoicing with those who were getting what I wanted but didn’t have.

And, I have to say, those who have so much aren’t always awesome about being sensitive to those who have less.

It’s not just a matter of holidays, either—it can be any random status update, or even that terrific practice of expressing gratitude regularly (some do it daily)—if someone’s expressing gratitude for something terrific, and I have something less than terrific, it’s hard not to snark inside my own head “well of course you’re grateful. I would be, too.”

I’m guilty of both sides of that—I don’t rejoice sometimes for those who are rejoicing.

And then sometimes when I’m rejoicing, I forget (entirely, utterly, blithely) to weep with those who weep. Or even that there are people weeping.

It’s something I’m trying to get better at, and I guess I’m writing this only to ask that we all remember both sides of Mother’s Day—that it’s wonderful and awful both.

Let’s weep with those who weep.

But also rejoice with those who rejoice.

(How can we do that all at once, every moment? I haven’t got a clue—for me it’s just the awareness and the attempt.)

_____

On Hating Mother’s Day Less

Meanwhile, I’ve realized that part of my own ISSUE with Mother’s Day stemmed from a long list of “shoulds.”

  • Since I struggled to get pregnant, but finally did, I should feel nothing but grateful on Mother’s Day.
  • Since my mother’s alive and wonderful, I should feel nothing but lucky on Mother’s Day.
  • Since my husband does laundry and dishes all the time, I should feel nothing but grateful on Mother’s Day.
  • Since my son routinely makes me laugh and smile, I should feel nothing but lucky on Mother’s Day.

Never mind that early May is always exhausting—the end of a semester, the end of an academic year.

Never mind that every role I love (mother, daughter, wife, sibling, aunt, cousin, gardener, professor, friend, writer, colleague, community member) is a role that also conflicts at least once every freaking day with every other role I love. Sometimes I feel like the guy in Too Many Hats when the monkeys start giving him shit.

I actually enjoyed Mother’s Day last year. As I remember, it was because I told people ahead of time precisely how I wanted to spend the day, and they let me do it the way I wanted, and I went into it with very low expectations—the first few years I think I wanted the day to look like a commercial put out by Hallmark if they sold both cards AND coffee—perky and happy and everyone smiling WHICH IS NOT EVER HOW THE DAY TURNED OUT.

(When my son was still in diapers, for example, he almost never wet through—I think we had to change sheets maybe twice his whole diaper-hood from a leaky diaper. But one of those times was EARLY Mother’s Day morning.)

So my plan is again to tell people precisely how I want to spend the day, and spend it that way, and acknowledge that I will likely feel lucky and grateful and exhausted and conflicted in varying measures and times through the day, the way I do most every day.

And I will be trying, on Mother’s Day and other days, to rejoice with them that do rejoice and weep with them that weep.

_____

Mother’s Day, Part 2: What I Want

To sleep a little later than I usually do.
To sit and watch my mother’s freckled hands
as they tremor just a little holding a cup
of coffee we’ve gone out for, just us two.
To snuggle with my son and watch TV.
To have someone else decide what we’re going to eat.
And then fix it or bring it or take me somewhere.
And then I want to go to bed and read.
And then I want the day to end. Amen.
 

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cropped-wr-tulip-gun-7509.jpg

Purgatory, Kentucky (3/7)

The young ones priss around and stew and fret,
yes, even here they do. I tell them to relax,
but I do recall what it was like, all fraught
with longing for a certain someone’s kiss,
the way a particular set of hard calluses
could raise a wave of shivers on my skin,
and one touch later heat me up fast,
so hot for more, I would do anything….
There is no profit in that kind of thought.
The man whose hands I speak of is not here.
I’ve grown restless all the sudden, not
full of life, I wouldn’t say, just bored.
Turns out I dislike it, this world without end.
The ferry’s here. I guess I’ll drive on in.

Ferry on Highway 169 somewhere in Kentucky (a Creative Commons shot from Edlitmus on Flickr)

Ferry on Highway 169 somewhere in Kentucky
(a Creative Commons shot from Edlitmus on Flickr)

___
For National Poetry Month, I’m trying to write a lot of poetry–I’ve given up on writing one every day, but still–trying to write a lot. I reviewed what I’d written last year and found Purgatory, Kentucky, which I’d TOTALLY forgotten about. So I decided I’d see if I could write a crown of sonnets. And I wrote #2 of 7 the other day. And now almost halfway around the crown with this one.

Nick Fury’s SUV

[SPOILER ALERT: If you have seen trailers for the movie Captain America: The Winter Soldier,” you’ve already seen this scene–I’m not giving anything else away here, other than what Chevy cars show up in the movie.]

______

“The air conditioning is fully operational.”

Computerized, attentive, the voice of the Tahoe
recites time estimates and is just being rational,
still gets a pretty big laugh before it’s thrown
in the air and then upside down by a bomb
when it answers Nick Fury’s angry request,
“What isn’t damaged?” The answer then becomes
that Chevrolet is a company he can trust.

Black Widow rumbles in a new Corvette
(though I swear I thought it said Porsche)
and an Impala gets its own solid scene.
This is product placement at its best.

Like Cap himself–it’s honest, direct, authentic,
as up-front as a Silverado truck.

_____
Maybe I’ve become the ideal 21st century drone–I really don’t even mind the product placement in Captain America. I’m not sure how noticeable it would have been if 1)I hadn’t been trying to think of ways to write sonnets about cars because one of the big drivers for traffic on my blog is people who Google “car sonnet” and land on my category–which used to mean I started writing the sonnet in the car. Which I don’t do any more because it seems really obviously to be a case of distracted driving, even though I was pretty careful to do it only when there was next-to-zero traffic around. And 2)I hadn’t known I was going to see the movie twice, so I was letting myself pay attention to all kinds of everything the first time through.

It certainly wasn’t as awkward as the product placement in Back to the Future. COULD I HAVE A PEPSI?

And though I might be a drone about blithely noticing the Chevy vehicles in the movie, and while I would certainly accept a new Chevrolet in exchange for a fair number of product placements in my poetry, I doubt I’ll buy one. Of the cars I’ve owned, almost all have been Fords or Mercury products:
First car: Mercury Comet bought from my Aunt Toni. It was named Gloria & had a rust disease.
Next car: Mercury Comet bought from my Aunt Becky. It didn’t have a name or rust.
Next car: Mercury Zephyr.
(And then a Subaru Justy, which really shouldn’t count because it had only three cylinders and was totally totaled in a collision that would have caused only minor damage to my next vehicle,)
First truck: Ford Ranger, long bed.
(And then a VW Golf, which, regardless of paperwork, is actually my husband’s vehicle)
Current car: Ford Focus station wagon, silver, stick-shift.

It was my Gran’daddy who made me a Ford fan & that’s as permanent as being a Cardinals fan.
_____
Here’s a fun article on the product placement which SPOILER ALERT actually does say a couple more things about the movie you won’t know from trailers, and it also has the fun commercial with kids pretending to be Black Widow and Captain America.

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NaPoWriMo stats: I wrote poems on April 1, 2, and 3, but posted only a couple of those. Then didn’t write on April 4 or 5. Then here. Honestly? Not too worried about 100-percenting it. Just glad to write a little more.

____

(not sure how to credit this image which is all over & clearly an ad for Chevy & the movie)

(not sure how to credit this image which is all over & clearly an ad for Chevy & the movie)


And you know, really, I’m remembering this car as having rounder front-end and butt. But I’m sure if everyone’s saying it was this car and it’s a Corvette, that’s really what it is and I must’ve just been revising it in my head based on the shape of the woman driving it.