Category Archives: Poetry

The Zennoyance of M. Bullock Dresser

[Pardon me while I Prufrock a minute.]

“Nel mezzo del cammin di nostra vita
mi ritrovai dietro una vettura lenta,
perché eravamo in un no sorpasso di corsia….”

“Whether it’s pain or pleasure, through lojong practice we come to have a sense of letting our experience be as it is without trying to manipulate it, push it away, or grasp it. The pleasurable aspects of being human as well as the painful ones become the key to awakening bodhichitta.” Pema Chodron Start Where You Are

Let us go then, you and I,
While the drought sucks all the rain out of the sky,
Like a baby nursing at its mama’s breast,
Let us go through several tiny towns,
The kind with no uptown or down,
And speed traps their biggest revenue stream,
The middle class mostly a dream,
One of those nightmares where you find a room
That leads you to numberless other rooms
You never knew you had–
Oh, stop. Don’t tell me about your day.
Let’s just hit the road.

On Highway 14 the woman drove too leisurely,
In a lime-green Mercedes named Martini.

The heat wave that sharpens its teeth on a wheel,
The heat swamp that buffs its nails on a wheel,
Licked its lips along the shoulder of the road,
Turned off the cruise control at some point,
Rolled down the window to watch something congeal,
Did a three-point turn, put the pedal to the floor,
And seeing no sheriff’s car anywhere in sight,
Broke the speed of sound, and drove out of sight. But

On Highway 14 the woman drove too leisurely,
In a lime-green Mercedes named Martini.

____________________________

I might work some more on that, being as I’m middle aged, and wondering what I am not (nor was meant to be) and wondering, A LOT lately, “Do I dare” and “Do I dare?”

In the meantime, let me talk about that Mercedes. My parents and Wendell and I had set off this morning about 10 for Rockford, to see my Aunt Margie, who’s in a nursing home there. Somewhere between Spring Green and Madison, we ended up behind a lovely lime-green Mercedes convertible with the license plate “MARTINIS.”

First of all, I’m not sure I’d want to advertise I LOVE ALCOHOL SO MUCH IT’S MY PERSONALIZED PLATE, just in case I ever got pulled over.

(Not that I get pulled over a lot. Mom and I talked today about traffic tickets we’d gotten–neither of us has gotten many. But I remember being very impressed when my Gran’mommy got a speeding ticket when she was in her seventies, for going something like 60 in a 40mph zone. My cousin Jodie and I used to freak out when we watched her drive because she was old-school—she would have her right foot on the gas and her left foot poised over the brake. I particularly like to think about her as a driver because it stood in marked contrast to her basic mode as a kindly and gentle and extremely ladylike Baptist.)

Second of all, WOW that Mercedes was going slow. About 45, and it’s actually a highway, where you can go pretty much 60 and not worry at all about getting pulled over. There was some slight lane meanderage on the Mercedes’ part as well.

At the stoplight in Black Earth, the woman who was driving was fixing her hair in her fetching visor-cap and YES, the light turned green, and she kept working on her hair for a count of 1-2-3.

We couldn’t pass–Highway 14 is two-lane most of the way, and a lot of no-passing zones (or, as I like to think of them, no sorpasso di corsias) and a fair amount of traffic. It was timed exactly wrong almost the whole way.

Third of all (or is it fifth of all?), it wasn’t really “MARTINIS.” It’s the name of a popular cocktail, though. I just don’t want to go listing license plates on my blog. Except, if you make your personalized plate really easy to remember and then drive in really annoying ways in front of people, you should kind of expect to show up in a blog.

In a very dramatic moment, the minivan behind us gunned it to pass them, and barely made it back over before the passing lane ended, with oncoming traffic approaching, too. The passenger in MARTINIS flipped off the minivan, which puzzled us, until my Dad pointed out that maybe someone in the minivan had flipped them off first.

“I’m pretty sure they’re just out for a cruise,” my son said.

Finally, we were able to pass them. I thought of them briefly as we drove through Janesville later and it was raining—were the Martinis o.k.? Did they get the top up in time?

If I’d been in a hurry, I’m sure I would have been mad. My friend & UW System colleague Ryan Martin explains why we get so mad when we’re driving in this great post, “All the Rage.”

But honestly, my annoyance didn’t shift into anger today. They were so annoying it ended up being hilarious. I asked on Facebook this evening if anyone knew them, and I now know who they are. They own a bar, actually, so I’m wondering if I can turn this into a free drink somehow.

Because this is a totally flattering portrait of them, right? And of me, right?

Here’s the thing, and the reason I quoted Pema Chodron—at some point, getting annoyed at someone who’s being annoying, and then expressing that annoyance, is all just annoying. Same with obnoxious behavior. It’s hard to respond to rudeness without also being rude.

Like last night, during the performance of Skylight (PHENOMENAL—everyone should go see this play), I paid good money for a great seat in the second row, but there were three people in front of me who thought sitting in the FRONT ROW of the Touchstone Theater, a small venue, during a terrific show–they thought that was a good time to talk. It wasn’t so much that I could hear them (I have hearing aids), but they were leaning over a lot, so it was visually distracting. There were some odd dynamics going on, too—I couldn’t tell if the woman in the middle was sick, and her husband and friend were concerned, or if they chose Skylight because they were currently in a ménage a trois. I wondered about the latter because there seemed to be a lot of meaningful shoulder-rubs and knee-strokings in all kinds of variations (him on her, him on other her, her on her, her on him, other her on him). Regardless–what I really wanted to do was thump each of them on the head.

(I did once kick the seat of a woman in front of me at Sundance theater once during a Clooney movie—she was texting on a smart phone and it was REALLY BRIGHT.)

But it’s rude to thump someone on the head, and I was worried that my thumping might be an even bigger distraction to the actors I was already worried were distracted (Clooney couldn’t see me kicking the seat of the woman in front of me), or make them talk MORE, or begin to rub the sore spots for each other where they’d been thumped.

I moved to a different seat at half-time, but the three lovers (or the married couple and friend, one of whom was sick) didn’t return. Which was a little disappointing, since I’d complained about them to numerous people while eating my much-anticipated brownie, which, frankly, was a little dry (the brownies are usually amazing there).

One moral of these stories is, I don’t mind being annoyed as long as I get a story out of it.

Another part of what it comes down to is I’m not sure I have the right to be angry (or even annoyed). My Gran’mommy wouldn’t let us say “darn” or “heck” when we were little, because they were just substitutes for “damn” and “hell.” I remember asking at some point what I was supposed to say when I got mad, and she essentially said, “Don’t get mad.”

I don’t think of myself as an angry person, but maybe these lines from Justified apply (I’d love it if they did–I’d love being an Elmore Leonard character):

At the end of the pilot, Raylan has broken into the home of his ex-wife and her new husband in the middle of the night, and is then chatting with her out on the deck.

“I just never thought of myself as an angry man,” he says, after explaining why he shot a man.

And Winona says, ”Oh. Raylan, well, you do a good job of hiding it—I suppose most folks don’t see it, but honestly? You’re the angriest man I have ever known.”

What I’m hoping for is some sort of Zen Baptist process by which I can feel annoyance (read: anger) and express it without making the world a worse place, without cancelling out the benefit of however many days of meditation and Bible reading I’ve managed to string together.

This won’t be easy. The Baptist part of me remembers this verse, Matthew 7:3, “Why do you see the speck in your neighbor’s eye, but do not notice the log in your own eye?” Most of the time I complain, I feel compelled to point out my own guilt. That’s not the worst habit in the world (I find it annoying when others don’t admit their own guilt, ever), but do I really have to list all the ways I’ve annoyed people who were driving behind me before I can say, “that Mercedes was really annoying,” before I can allow myself to be annoyed?

Is the height of Zen training really to get to the point where I drive behind a car going slower than I want to go and my actual response goes something like, “it is what it is,” and I use the slower pace to be mindful about my surroundings? How different is that, really, from trying never to get angry?

Just asking. I’ll stop now before I get carried away.

The pilot of Justified ends with Raylan processing Winona’s comment, goes to the credits, and we get to hear, once again, Tone Z with Gangsta Grass:

“On this lonely road,
trying to make it home
Doing it by my lonesome-pissed off, who wants some
I see them long hard times to come.”

If I were an Elmore Leonard show, I’d be done already. Since it’s me, I’ll just say that my new life goal is to mention Timothy Olyphant every other blog entry.

And also to get a free drink from restaurant owners who drive slowly enough, for long enough, that I think they owe me something. Unless that annoys them, in which case I apologize for being annoyed.

Recuperator

|riˈkoōpəˌrātər|
noun
a form of heat exchanger in which hot waste gases from a furnace are conducted continuously along a system of flues where they impart heat to incoming air or gaseous fuel.

How weirdly illness changes time and goals–
everything sticky slow and progress ant-sized–
that our bodies heal at all seems miraculous.

Like trying to watch Venus make its crawl
on the sun a day early or while lightning strikes,
how weirdly illness changes time. And goals

become ridiculous. The prayer for normal
bowel movements is such a blow to pride
that our bodies heal. Of all the miracles

I know, I think now of my father’s heart muscle,
its pace currently regulated by an appliance.
How weird. Illness changes time, and goals

conduct themselves along a flue, heating fuel
and air like machines, leaving us febrile,
but our bodies heal sometimes, which seems miraculous

to me now, given how much can go awry
in even this age of advancing medical science.
How weirdly illness changes time and goals
into the age of fucking miracles.

______

Tuesday is my one-week post-gallbladder-removal mark, and Wednesday is my father’s one-week post-tumor-removal mark. My surgery was planned; his was not. We both make slow progress back toward health and normalcy, though I’m closer to home than he is, since my gallbladder wasn’t as big a villain as his tumor, and my surgery nowhere near as violent as his.

I was so pleased with my surgical team–if you read my gallbladder post, you’ll be happy to know I awoke in recovery with four x’s on my right hand. I did question the wisdom of asking for them in permanent marker as they stayed there day after day (but they’re gone now). My parents are pleased with Dad’s surgeon (and I have to say my mother is at a very, very picky place right now when it comes to health care).

What I tried to convey in the villanelle is the weirdness of healing. I told my husband this evening I was officially tired of not feeling well, which I’m sure means I’m just about better.

But progress comes slowly sometimes. This is actually the first villanelle I’ve ever written without having to look up the form–and I’ve written a lot of villanelles. (And then I did look it up just to double-check.)

Looking up recuperation, I found recuperator and I’m really loving the idea of recuperation as a machine–the product of science and reason. But there’s part of me that will always, always, long for and believe in the age of fucking miracles.

(Can you tell I’ve spent time watching the third season of Deadwood as part of my recuperator time?)

The Merry Month of May

The hum, the lull between deep snow and mosquitoes,
Before the tourists descend en freaking masse,
Right when goldfinches go from egg yolk yawn
To neon hello, is when I love my little town
The most. The caravan of architects
Is back from Arizona, and license plates
All over town proclaim a different state.
There are faces I don’t recognize
And starting this weekend, there will be faces
I do recognize, and gestures, and gaits—
The very air changes when the actors all come back.
I know I’ll love the shows but I really love the wait,
Love knowing magic’s on its way, love art
Rumbling like thunder for my winter-dried heart.

_____

There are so many things I love about living in Spring Green, and American Players Theatre is high, high on the list. Tech folks are back in town already and since rehearsals begin next week, the actors are arriving.

Several times over the years, I’ve first seen Brian Mani back in town on the very same day, or within a day, of seeing my first bright-yellow goldfinch of the year.

(We’re lucky to have a lot of APT folk who over-winter, but often they’re off doing other jobs, so even the year-round birds aren’t in town consistently until now.)

As a professor, my semester is still in the deepest swamp–lots to grade and no indication that anything I tried this semester actually worked.

But when I glimpse, out of the corner of my eye, a certain way of gesturing, or walking, and there’s some odd sense of recognition, I realize, “Oh. That’s someone I’ve seen on stage.” (It’s odd, but a lot of times it’s the body language that pricks my brain, not always the face.)

That’s when I know that winter is truly over, and my semester will soon be over, and within a month or two, I’ll be sitting & watching and being transported to what I call my “APT happy place,” where I forget, utterly, my regular life.

And the fact that, in my regular life, I can call many of these wonderful folks my friends, that, as a writer, I’ve had the thrill of hearing some of them say my words–I feel so lucky.

Those of us in Spring Green, we are lucky, boy.

This Is Just to Say Whatever Comes to Mind

Small-town newspapers, where they still exist, are a precious treat. In Spring Green, Wisconsin, we get The Home News, “the only newspaper in the whole, wide world that cares about the River Valley area” every Wednesday. Of course, The Voice of the River Valley, a free monthly, also implicitly cares (though that’s not on its masthead). This past month The Voice had poems (in honor of National Poetry Month) and has regularly carried poems in the past. One of the things I enjoyed about the Home News’ former editor, in addition to his progressive politics and weekly editorials featuring his dog, was his willingness to publish poetry on the editorial page. He was following a long tradition. According to Mike Chasar (whose blog I like and whose book I want),

“through most of the nineteenth century and well into the twentieth…amateur poets hotly debated issues of abolition and women’s suffrage in verse form, writing their poems quickly in response not only to the day’s current events but also to the specific ideas and claims put forth in the previous day’s poems. As recently as the mid-1950s, in fact, the New York Times was in the habit of printing poems alongside letters to the editor on its opinion pages, making little or no distinction between the two.”

The fact that I am able to quote at length from Chasar’s article, entitled “Writing Good Bad Poetry,” which appeared in the November/December issue of Poets & Writers magazine in 2008, is the result of an argument I lost (am losing). “We do NOT need to keep all these,” I’ve insisted repeatedly to my husband over the years about the boxes and boxes of magazines. But my school library doesn’t subscribe to Poets & Writers, and there aren’t very many articles archived online, so when I remembered the article & looked it up in the database at school, I could have ordered a copy of the article on interlibrary loan. Or I could do what I did, come home and find it.

The willingness to wait a few more days
To get what I wanted from interlibrary loan
Would free up so much square footage in my home
That I could house a family of refugees.
But I’m married to a pack rat. I am one, too.
It’s just I used to purge more often. He won’t.
Or rather, he seldom does. We never do
Much of anything until we absolutely must.
In preparing for a visit from the appraiser this spring
We both set to work cleaning and organizing
And yes, purging. The appraiser was the amiable dad
Of a former student of mine. He and my husband had
A rambling talk. Appraised well, we locked in three percent.
We’re not an episode of “Hoarders.” At least not yet.

Chasar recounts writing poetry for Iowa City’s Press-Citizen in response to an editor’s request. The editor was wanting something “akin to what George Orwell called ‘good bad novels,’ which the author defined as fiction that doesn’t aspire to official literary greatness but that is nonetheless skillfully and admirably written for the purposes or entertainment or political effect.” He analyzes some of the poems that got printed there and discusses what they did and didn’t accomplish, what “good bad poetry” in the newspaper can and can’t accomplish in general, and concludes the article by pretty much bragging that if nothing else, publishing poems in the paper got him a free beer.

When I include poems in my blog, my pay scale is even lower than Chasar’s (he wrote them for free), because no one’s bought me a beer as yet.

(Consider this a bald plea for a Furthermore or Lake Louie.)

So why do it?

Some of it’s inexplicable: I don’t really know why I write. I don’t really know why I’m compelled to share what I write (although every other memoirist and confessional poet understands why I feel copacetic about sharing my life with strangers).

I do know why I love sonnets, through which I record the world and process the world fairly often. Bob Wrigley once called sonnets the most anal-retentive form in the English language. In one way, you might think sonnets are the anti-clutter form, since you’re limited to a certain number of beats and lines (Song of Myself or Howl being the ultimate hoarder poems). But I think of a sonnet more as a phenomenally well-designed closet. You can pack an awful lot in there. And given the existence of sonnet series, and crowns of sonnets, and George Meredith’s 15-line sonnets, it’s an ever-expandable closet.

I could say I like posting poems in blogs because they encapsulate and elevate my everyday existence.

And if that’s true, it also explains why I don’t mind that the poems I post there aren’t even trying to be my best poems. Not art, necessarily. To chronicle the everyday, I have to write every day. And post every day. (Or as close to it as I can get—can I substitute everyfewdays as a synonym? My everyfewdays existence?) Other than minor tinkering, there’s not a whole of revision that can happen in that scenario.

Ron Wallace published a terrific book with the best sonnets from his project of writing a sonnet a day for a year–but he revised a lot to get to the book, The Uses of Adversity.

In general, I think art takes revision.

This is not all merely to say that when I look back at “Metaphors: A Semester” I pretty much go “meh,” although that is pretty much what I go. I suppose in that sense the five stanzas were art imitating life because “meh” was how I was feeling about the semester at that point, but we don’t really want art imitating life in those moments, now do we.

This is just to say–wait! Where have I heard that before?

And thus the most compelling question I can think of at the moment (other than the whole “What’s cooler? Mod Squad or Starsky & Hutch?” conversation we had at supper) is this:

If all our favorite poets had blogged, what would they have posted?

For better or worse, I feel certain Robert Lowell would have posted EVERYTHING. With him in mind, let me just say that I hope some of my blog poems, eventually, could end up in my own Life Studies. Until then, you know where to find them.

Metaphors: A Semester

1
damp pile of limp balloons

2
multiple balloons, inflated to bursting
in January
let go on schedule until March
then all at once
sputtering
zip zoom
flail
hanging suspended in April
flop

3
you know how the house in Up floated away?
like that
but no passengers

4
some old-school blown-up balloons
along with helium mylar
and one miniature hot-air contraption
elaborately connected
mostly self-propelled
landing gently
grades turned in

5
damp pile of limp balloons

The Moan Tax

I pay for every blessing—don’t think I don’t.
Sure I’ve got a good job, but I work too hard,
And I’m lucky in love, but marriage takes work.
Don’t believe me? Listen to me piss and moan
About the house I have to clean, the food
I have to cook, the garden I have to weed,
My beautiful, rural commute ruined this week
with a spread-manure-fresh-dead-skunk reek.

I might be spoiled but at least I’m not content.

God forbid I should relax or take a break
Or cut back somewhere or say no to anything
Or take the risk of being seen as slacking
Or just enjoy the son I thought I couldn’t conceive.
I fight off jinxes with my constant, low-voltage rant,
Lest all my precious miseries be stripped from me.

_____

This is and isn’t me speaking. Happy Hump Day, everyone!

Getting the Pay Raise You Deserve, Part III

CREDO: ENOUGH

I don’t work too hard. I work hard

enough, having joined the small but growing worldwide Church of Enough, not to be confused with the service club called Just Enough, whose border blurs with the Club of Just Barely Enough, which is too similar, frankly, to the Club of Not Really Enough, aligned of course with the also growing club of Not Nearly Enough who might as well admit they’re paying members of the Piss Poor In Nearly Every Measurable Way Society. No, we’re the Church of Enough–not to be confused either, please, with those in the mildly amiable but really too puffed up Club of More Than Enough, who won’t admit this publicly but they share office space with the growing Crystal Cathedral of Too Much and a splinter group, the Cult of Much Too Much, who are Calvinistic in believing anyone without the proud banner MUCH TOO MUCH (a hand-tatted silky thing they work extra hours to buy), anyone who sleeps eight hours in a row, anyone who cares to whisper, “balance,” anyone who stares at a cobalt bottle in the afternoon light, anyone who smiles just must by definition belong to what they see as the biggest club of all, Just Not Enough.

Moderation in most things
is our creed. If we met
we’d chant it but we don’t
have meetings. To qualify
for membership you must
come to us having attended

enough meetings already.

A humble enough start
has bloomed like rust
in the machine
of the rest of our lives.
When progress grinds
to an ugly steaming stop
in our backyards
we’ll be there to sing songs
around the dying fire.
We will have progressed far
enough.

______________________________
I wrote this poem a very long time ago, maybe as many as 15 years ago, when I first read Juliet Schor’s The Overworked American. It became a signature piece for me at poetry readings for a while, although it still scares me to read it in public sometimes, since I assume someone is thinking and might say, “You could work a little harder, couldn’t you?”

But it’s an important end-piece for this particular series, and it’s important enough to me that my husband and I are going to be selling broadsides of it, with a gorgeous image he took of one of my cobalt blue bottles. (Contact me if you want one.)

As a friend of mine said, “It’s all about who’s in the lifeboat with us,” and as I added, “who’s down the hall in the nursing home.”

Are you with me? Want to come to my house when progress grinds to an ugly steaming stop? When that fire goes out, we’ll build a fire in our fire pit (which my husband and I made from the recycled drum of our front-loader washing machine) and drink some beers or possibly home-brewed hooch, which would both save us some cash and let me hark back to more of my Bullock heritage.

I’m saying it loud, saying it proud: Enough. Say it with me: Enough.