The Year of Buffalo Pokey

An embarrassment of entertainment riches, really.

In less than a week, all within a few minutes of my house, I’ve seen two great plays and one great concert.

20140702-230914.jpg

Pokey LaFarge and his horn section.

All that greatness is dizzying, apparently.

In a dizzy moment, I asked the usher to help me figure out where I was sitting for David Mamet’s American Buffalo last night.  She looked at the ticket, here:

20140702-230628.jpg

“You’re in Aisle 2,” she said (which was actually the only thing I was confused about–still not quite familiar enough with the aisles in the wonderful Touchstone to know for sure where to go). “Row E, Seat 204,” she said.

Well, all of us looking at the ticket now can clearly see it was Row F.

Imagine if I were sitting near Teach or Donny from American Buffalo.

“Fucking usher,” Teach would’ve said (not taking any responsibility for looking closely at his own ticket).

“Sorry, sorry,” Bobby would’ve said, when the correct inhabitants pointed out they wanted the seat they paid for.

“No shame in a simple mistake,” Donny might have said to himself later in the evening, after moving from Row E, Seat 204, to Row D, Seat 204.

But then what would Teach say, when he realized, after the house manager pointed it out later, that Row D, Seat 204 also belonged to someone else?  And what would he have said when he pulled out the ticket to show the house manager who gently pointed out, “That’s the wrong date.  And the wrong play,” thus:

20140702-230726.jpg

Teach would’ve had a manic meltdown; I just felt flustered (the house manager was just trying to figure out what the issue was; she’d found seats for the other people already). I said I’m sorry a bunch & I’ll say it again, to whomever I displaced, “I’m sorry.”

Last night, the second half of American Buffalo almost immediately distracted me from my flustered state.

What a play.

I’m so, so pleased American Players Theatre decided to do Mamet.  And this play.  With these actors, because, of course–Brian Mani is perfect as Donny, put-upon, and too generous, and forgiving in such a complex way we feel equal parts pity and admiration for how he navigates his little world.

And oh, what frightening fun to watch Jim Ridge as Teach.

Part of the pleasure of going to APT year after year is seeing the actors in different roles. As I was driving home last night I was remembering Ridge as Tartuffe–serpentine and frightening and clever.  I think Teach thinks he’s serpentine and frightening and clever, but what’s frightening is how wrong he is about everything, how worked up he is about how right he thinks he is.  Poor Teach–he’s in a play by Mamet, not Moliere.

Awfully nice work, too, by Brendan Meyer, as Bobby.  And once again, I love plays directed by Kenneth Albers.

If you haven’t gone yet, you should go.  Or, to put in Mamet terms, you should fucking get there already. Lots of shows available from now through October.

You should also go see The Year of Magical Thinking.

Aaron Conklin has a fine review that I concur with, on every point.

In my head, I routinely mis-label Didion’s amazing piece as The Year of Living Dangerously, and that’s not entirely wrong. It’s a dangerous place Didion goes to, narrating her harrowing time when she lost her husband and child. It strikes me as dangerous for APT to have chosen the play, given the difficult subject matter. Sarah Day plunges into the danger of the subject matter, of course–courage has to be in the top five features of her mode as an actor.

And it is a dangerous journey for an audience, but it’s not unrelenting awfulness.  It really did feel like a journey, a necessary one.  There is humor and insight, too, but most importantly, I felt different when I left.  As though I had traveled somewhere I needed to go, and that I could now move on.  Kind of like a gentler, prettier Charon taking me partway across the river Styx and back to the land of the living.  A three-hour tour (well, actually two).

Pretty amazing. Lots of tickets available from now until October.

There are no more tickets for Pokey LaFarge, that show is done.  There are plenty of tickets left for other shows at The Sh*tty Barn, however, and if you’re kicking yourself for missing Pokey, you might get yourself a ticket for Nick Brown on July 30. In the venn diagram of Barn Sessions, there’s some overlap between Pokey and Nick in the area of Gentlemen Country/Western Swing styles–a genre I hadn’t realized I was craving until Nick’s show last summer.

I knew I was going to enjoy Pokey’s music, but I was a little nervous it was going to be hipster country, given the theatricality of the photos.  When I told people about him I’d been saying he looked like k.d. lang and Pee Wee Herman had a love child, and I’m not taking that back because it’s one of my favorite things I’ve ever come up with.

But I was happy to find out that k.d. lang was a good call–musically, it was a rich night, and the theatricality was not so much camp as just big, big fun.

The horn section was great:

20140702-230836.jpg

20140702-231006.jpg

20140702-231035.jpg

20140702-231104.jpg

And once again, one of the many extreme pleasures of the Barn is how close you are to the performers.  I zoomed in a little, but not much to get this shot of Pokey his own self:

20140702-231236.jpg

Everyone should come see great stuff in Spring Green. All summer long.

The Noble Gases (continued)

1
No wonder I can never remember all eight—
there are only six. I have a place mat
with the periodic table of the elements on it—
I guess it’s time to get it out again.
The ones I never forget are neon
and radon—bar signs and killers in the basement.
I usually remember Superman’s Achille’s heel,
thus krypton, and if I think of Jason, I might
think of Argonauts and thus argon, but
usually I don’t. Almost never will
I think of helium, the most famous one,
the silly voice, the birthday balloon,
the one that can overfill your lungs
and kill you, leeching all your oxygen.

2
There are so many things I can’t remember
all at once. Did I lock the door or not?
Trying to cover up for a name I forgot,
I always introduced myself to my friend’s mother.
I wanted her to say her name back to me.
She never did, but one time said through her teeth,
“I know who you are, god damn it.”
I know her name now, but she’s dead. I don’t need it.
I forget whole poems I’ve written. And other names,
of course, of people I ought to know, and students,
within weeks (or days) of turning in final grades.
I forgot how to start the Lord’s Prayer more than once.
My father’s early Alzheimer’s makes this shit
fraught so I try to console myself with lists.

3
The boys sat in the back, playing chess in their heads.
My friend Beckie and I decided we had too many plots
of Gilligan’s Island in our bright enough heads
to do what they did, several turns in before someone forgot
where some piece was and they argued and then they were done.
I rear-ended a Jeep that same trip, having forgotten
to keep far enough back, forgetting to count
one thousand one, one thousand—ouch.

The noble gases are noble because they’re inert,
unchanging, unlike those brains with the tangles and plaques.
And which noble gas is it inside a laser can fix your eyesight?
Which one makes the IMAX movies so bright?
It’s xenon, which, until a friend pointed it out,
I’d forgotten. I can never remember what all I lack.

With thanks to Max Garland,

and Beckie Hendrick,

and John Heasley (who did remember xenon)

photo (1)

Image

The Noble Gases

for Max Garland

No wonder I can never remember all eight—
there are only six. I have a placemat
with the periodic table of the elements on it—
I guess it’s time to get it out again.
The ones I never forget are neon
and radon—bar signs and killers in the basement.
I usually remember Superman’s Achille’s heel,
thus krypton, and if I think of Jason, I might
think of Argonauts and thus argon, but
usually I don’t. Almost never will
I think of helium, the most famous one,
the silly voice, the birthday balloon,
the one that can overfill your lungs
and kill you, leeching all your oxygen.

____
Working on part 2 and 3 of this poem–will post more soon.

What a pleasure it was to hear Max Garland read at the Aldo Leopold Center on an absolutely perfect Wisconsin summer night. I always enjoy his poems and he spoke so earnestly and well about the importance of art, of making it and supporting it, I found I had tears in my eyes a bunch of times.

Here’s a photo I took as I resisted the mingling part of the evening–I couldn’t bear to be inside on such a gorgeous night.

The Aldo Leopold Center outside Baraboo.

The Aldo Leopold Center outside Baraboo.

This poem came in response to his poem “Hydrogen,” which is available through the Western Kentucky University English Department website.

_____

I have fond memories of WKU, where I once participated in a marathon poetry reading. We read forever there. We might still be reading there.

2103_539916388268_7792_n

What’s more bizarre?

First post ever in a new category: what’s more bizarre?

Jimmy Fallon and Terry Crews Nip-Syncing?

OR

a parent calling an employer to protest a child’s performance review?

We don’t really have to decide between the two of course. We live in a weird world and both are real.

But only one makes me happy about how weird our world is.

How I Learned to Stop Worrying and Not-Hate Mother’s Day

Mother’s Day, Part 1: I Have Issues

“Rejoice with them that do rejoice, and weep
with them that weep” has been so hard for me
on Mother’s Day, just starting with myself
because I always felt both the yin and yang
of the day—deep gratitude for my amazing son
and mother and grandmother and so many others,
but not that by itself, because I also felt
trace elements of the grief from all the years
we were trying to get pregnant and could not.
Then so much hurt for the motherless, the ones
who never got pregnant who wanted to, the ones
who had mothers who hurt them or children who died.
And this word: miscarriage. Or this one: miscarriages.
And then so many who are childless by choice are told
so many times that choice is the one invalid one
of all our choices. And so I hated Mother’s Day
the first few years I was one and I still
would just as soon ignore it but I won’t.
_____

On Hating Mother’s Day (and other days)

I posted, on Facebook, for two or three years running, this diatribe against Mother’s Day by Anne Lamott. It always got such a strong response, positive and negative. The positive is relatively easy for me to understand and explain—there are a lot of us for whom Mother’s Day is not all sunshine brunch and flowers, for a lot of different reasons, and until Lamott’s piece, I don’t remember someone writing about “I hate Mother’s Day.”

In that, Mother’s Day is different from other holidays people tend to hate. Someone ambivalent about Christmas? Or angry about it? We might not agree, but we’ve seen repeated complaints about the commercialism of it, they way people who practice other faiths feel excluded, the way the war-on-Christmas-craziness asks us to pretend “happy holidays” is bad (when wishing someone a holy-day is pretty religious actually).

If someone were to write about being the adult child of an alcoholic and how Christmas was always tense when they were a child because maybe Dad would be drunk and abusive or maybe he’d just be gone, and either way, it was a relief when the day was over, we’d be sympathetic.

I think most of us are open to complaints about Christmas, even as we put up our tree and fa la la through the season.

Same with Valentine’s. If your romantic life is anything other than where you want it to be, this is probably not a great day, and we all get that.

Here are some holidays it would be harder to complain about and get general sympathy:

I imagine that if you’re a certain sort of conservative Christian who thinks demons are real, Halloween pretty much sucks. I also imagine that if you’re a pacifist, Veteran’s Day is difficult. Thanksgiving is all football and family and feasting, right? Unless you are a Native American. Or even if you’re just thinking about the way Native Americans might view the first Thanksgiving and what came pretty soon after.

In my experience Mother’s Day is more in this second group—just not something people are terribly open to hearing complaints about (especially from someone like me, with a living mother I adore, and a 9-year-old son who’s just awesome).

So that explains the positive responses—people who have ISSUES with Mother’s Day but have antipathy that dare not speak its name (a small version of saying “Voldemort” out loud).

And it explains some of the negative responses—people who just can’t imagine why someone could possibly hate such a lovely day that honors women who’ve blah blah blah.

The other negative responses have to do with the fact that Lamott is being pretty crabby and diatribey and not terribly logical (which she mostly never is, not terribly). My friend Jenny explains that well in her latest post.

She says Lamott’s  “vitriol is off-putting, and I disagree passionately with parts. By the end, I feel like I’ve been served what might have been a lovely soup were it not peppered with flies.”

Rejoicing With Them That Do Rejoice Or Not

“Rejoice with them that do rejoice, and weep with them that weep” is from Paul’s letter to the Romans. Ambivalent as I am about the man, I have to admit he just nailed it sometimes (am I remembering right that someone theorized he was short and ugly or did I just imagine that? I picture him that way, regardless).

Here’s why that verse is hard:

Times I’ve been unhappy with whatever portion of my life, I haven’t always done well rejoicing with those who were getting what I wanted but didn’t have.

And, I have to say, those who have so much aren’t always awesome about being sensitive to those who have less.

It’s not just a matter of holidays, either—it can be any random status update, or even that terrific practice of expressing gratitude regularly (some do it daily)—if someone’s expressing gratitude for something terrific, and I have something less than terrific, it’s hard not to snark inside my own head “well of course you’re grateful. I would be, too.”

I’m guilty of both sides of that—I don’t rejoice sometimes for those who are rejoicing.

And then sometimes when I’m rejoicing, I forget (entirely, utterly, blithely) to weep with those who weep. Or even that there are people weeping.

It’s something I’m trying to get better at, and I guess I’m writing this only to ask that we all remember both sides of Mother’s Day—that it’s wonderful and awful both.

Let’s weep with those who weep.

But also rejoice with those who rejoice.

(How can we do that all at once, every moment? I haven’t got a clue—for me it’s just the awareness and the attempt.)

_____

On Hating Mother’s Day Less

Meanwhile, I’ve realized that part of my own ISSUE with Mother’s Day stemmed from a long list of “shoulds.”

  • Since I struggled to get pregnant, but finally did, I should feel nothing but grateful on Mother’s Day.
  • Since my mother’s alive and wonderful, I should feel nothing but lucky on Mother’s Day.
  • Since my husband does laundry and dishes all the time, I should feel nothing but grateful on Mother’s Day.
  • Since my son routinely makes me laugh and smile, I should feel nothing but lucky on Mother’s Day.

Never mind that early May is always exhausting—the end of a semester, the end of an academic year.

Never mind that every role I love (mother, daughter, wife, sibling, aunt, cousin, gardener, professor, friend, writer, colleague, community member) is a role that also conflicts at least once every freaking day with every other role I love. Sometimes I feel like the guy in Too Many Hats when the monkeys start giving him shit.

I actually enjoyed Mother’s Day last year. As I remember, it was because I told people ahead of time precisely how I wanted to spend the day, and they let me do it the way I wanted, and I went into it with very low expectations—the first few years I think I wanted the day to look like a commercial put out by Hallmark if they sold both cards AND coffee—perky and happy and everyone smiling WHICH IS NOT EVER HOW THE DAY TURNED OUT.

(When my son was still in diapers, for example, he almost never wet through—I think we had to change sheets maybe twice his whole diaper-hood from a leaky diaper. But one of those times was EARLY Mother’s Day morning.)

So my plan is again to tell people precisely how I want to spend the day, and spend it that way, and acknowledge that I will likely feel lucky and grateful and exhausted and conflicted in varying measures and times through the day, the way I do most every day.

And I will be trying, on Mother’s Day and other days, to rejoice with them that do rejoice and weep with them that weep.

_____

Mother’s Day, Part 2: What I Want

To sleep a little later than I usually do.
To sit and watch my mother’s freckled hands
as they tremor just a little holding a cup
of coffee we’ve gone out for, just us two.
To snuggle with my son and watch TV.
To have someone else decide what we’re going to eat.
And then fix it or bring it or take me somewhere.
And then I want to go to bed and read.
And then I want the day to end. Amen.
 

_____
cropped-wr-tulip-gun-7509.jpg

Jesus Weasels and the Rusty Balloon

Those people who love Paul as much as Jesus—
shall we agree to call them the Paulines?
The schematics of sin, the counting of beans,
fault-finding, blame-placing weasels
not just ignoring the big guy’s red letters, but
also forgetting Shorty’s juicy bits
“Better to marry than burn” must have meant
the epistler burned like an old mattress,
like an oil lamp that never empties,
an abandoned refinery post-apocalypse.
But I get it, I really, really do. Without
a clear sense of rules, how the hell do you
know how to pop the rusty balloon
of anxiety in your chest, let alone actually pop it.

______

I wrote this sonnet in tweets, a couple of lines at a time, starting on Friday, finishing today. Made me look at the sonnet differently–I may try again sometime. Tweeting the lines makes me want to make them more stand-alone. Hm.

Purgatory, Kentucky (4/7)

The ferry’s here. I guess I’ll drive on in.
I tell you if I’d known I’d have my truck
on this side of, well, whatever side I’m on,
I’d have done myself in sooner. Just my luck
the ignition switch is still a fussy thing
which I guess means this isn’t heaven.
I never really minded when it wouldn’t start,
just took the time to admire my good old Ford,
Bought it new in ’72, Grabber Blue,
What was there me and my girl couldn’t do?
My favorite thing I ever hauled? An outhouse
that my Mama did NOT want me to take away.
“When your crazy cousin Vernon visits,
I like to have a quiet place to pray.”
_____
Keeping at it, might finish this crown of sonnets during National Poetry Month, just three more to go (but only two more days in April). (The others are in the category “Purgatory,Kentucky” and I’ll put them all together when I write #7). But it’s fun,even if I don’t finish in April, and I’m happy to have written another “car sonnet,” which is one of the big drivers of traffic on my blog, people Googling “car sonnets.” Hope this counts, even though it’s a truck. (NOTE: I no longer write sonnets whilst driving–now when I say “car sonnet” it means a sonnet with vehicular subject matter.)

Here’s a 1972 Ford truck, Grabber Blue. This is pretty much my dream vehicle.

Ferry on Highway 169 somewhere in Kentucky (a Creative Commons shot from Edlitmus on Flickr)

Ferry on Highway 169 somewhere in Kentucky
(a Creative Commons shot from Edlitmus on Flickr)

It’s Hard to Teach When Gollum’s in Your Class

It’s hard to teach when Gollum’s in your class.
He’s not the ideal student by any stretch,
but he’ll blame you if he doesn’t pass.

He’s very disruptive, all that muttering “my precious”
and small group work with him is just a bitch.
It’s hard to teach when Gollum’s in your class

because even saying Sméagol when you take attendance,
even smiling when you really want to screech,
you can be sure that he’ll blame you if he doesn’t pass.

He misses class a lot. Just vanishes.
Then swears he was too there. It’s hard to teach
the earnest students when Gollum’s in your class,

but you owe it to the ones who are not treacherous,
the step by by step by steps, the clear approach.
That rat-like monkey will blame you if he doesn’t pass,

but don’t dumb things down. Just do your best.
Backwards design might save you in a hitch.
It’s hard to teach if Gollum’s in your class,
but don’t blame yourself if he shall not pass.

 

_____

If fish were learning outcomes, Gollum would get an A+.

If fish were learning outcomes, Gollum would get an A+.

_____
(photo by Larry and Linda on Flickr, Creative Commons)

(OH that last line–“He shall not pass” sounds so foreordained and the teacher in me keeps hoping, hoping that Gollum will pull it together and squeak out a decent grade. But how can I not play on “shall not pass?” Decisions, decisions…)

Purgatory, Kentucky (3/7)

The young ones priss around and stew and fret,
yes, even here they do. I tell them to relax,
but I do recall what it was like, all fraught
with longing for a certain someone’s kiss,
the way a particular set of hard calluses
could raise a wave of shivers on my skin,
and one touch later heat me up fast,
so hot for more, I would do anything….
There is no profit in that kind of thought.
The man whose hands I speak of is not here.
I’ve grown restless all the sudden, not
full of life, I wouldn’t say, just bored.
Turns out I dislike it, this world without end.
The ferry’s here. I guess I’ll drive on in.

Ferry on Highway 169 somewhere in Kentucky (a Creative Commons shot from Edlitmus on Flickr)

Ferry on Highway 169 somewhere in Kentucky
(a Creative Commons shot from Edlitmus on Flickr)

___
For National Poetry Month, I’m trying to write a lot of poetry–I’ve given up on writing one every day, but still–trying to write a lot. I reviewed what I’d written last year and found Purgatory, Kentucky, which I’d TOTALLY forgotten about. So I decided I’d see if I could write a crown of sonnets. And I wrote #2 of 7 the other day. And now almost halfway around the crown with this one.

Nick Fury’s SUV

[SPOILER ALERT: If you have seen trailers for the movie Captain America: The Winter Soldier,” you’ve already seen this scene–I’m not giving anything else away here, other than what Chevy cars show up in the movie.]

______

“The air conditioning is fully operational.”

Computerized, attentive, the voice of the Tahoe
recites time estimates and is just being rational,
still gets a pretty big laugh before it’s thrown
in the air and then upside down by a bomb
when it answers Nick Fury’s angry request,
“What isn’t damaged?” The answer then becomes
that Chevrolet is a company he can trust.

Black Widow rumbles in a new Corvette
(though I swear I thought it said Porsche)
and an Impala gets its own solid scene.
This is product placement at its best.

Like Cap himself–it’s honest, direct, authentic,
as up-front as a Silverado truck.

_____
Maybe I’ve become the ideal 21st century drone–I really don’t even mind the product placement in Captain America. I’m not sure how noticeable it would have been if 1)I hadn’t been trying to think of ways to write sonnets about cars because one of the big drivers for traffic on my blog is people who Google “car sonnet” and land on my category–which used to mean I started writing the sonnet in the car. Which I don’t do any more because it seems really obviously to be a case of distracted driving, even though I was pretty careful to do it only when there was next-to-zero traffic around. And 2)I hadn’t known I was going to see the movie twice, so I was letting myself pay attention to all kinds of everything the first time through.

It certainly wasn’t as awkward as the product placement in Back to the Future. COULD I HAVE A PEPSI?

And though I might be a drone about blithely noticing the Chevy vehicles in the movie, and while I would certainly accept a new Chevrolet in exchange for a fair number of product placements in my poetry, I doubt I’ll buy one. Of the cars I’ve owned, almost all have been Fords or Mercury products:
First car: Mercury Comet bought from my Aunt Toni. It was named Gloria & had a rust disease.
Next car: Mercury Comet bought from my Aunt Becky. It didn’t have a name or rust.
Next car: Mercury Zephyr.
(And then a Subaru Justy, which really shouldn’t count because it had only three cylinders and was totally totaled in a collision that would have caused only minor damage to my next vehicle,)
First truck: Ford Ranger, long bed.
(And then a VW Golf, which, regardless of paperwork, is actually my husband’s vehicle)
Current car: Ford Focus station wagon, silver, stick-shift.

It was my Gran’daddy who made me a Ford fan & that’s as permanent as being a Cardinals fan.
_____
Here’s a fun article on the product placement which SPOILER ALERT actually does say a couple more things about the movie you won’t know from trailers, and it also has the fun commercial with kids pretending to be Black Widow and Captain America.

_____
NaPoWriMo stats: I wrote poems on April 1, 2, and 3, but posted only a couple of those. Then didn’t write on April 4 or 5. Then here. Honestly? Not too worried about 100-percenting it. Just glad to write a little more.

____

(not sure how to credit this image which is all over & clearly an ad for Chevy & the movie)

(not sure how to credit this image which is all over & clearly an ad for Chevy & the movie)


And you know, really, I’m remembering this car as having rounder front-end and butt. But I’m sure if everyone’s saying it was this car and it’s a Corvette, that’s really what it is and I must’ve just been revising it in my head based on the shape of the woman driving it.