Category Archives: Poetry

If I Loved You Before the Election, I Probably Still Do

If I loved you before the election, I probably still do.
Even more than how you voted, I’m thinking about
what’s good and bad, what scares us most, what’s true.

I’m worried who the bad things are happening to.
Our list of bad things might be different, but
if I loved you before the election, I probably still do.

It isn’t like I thought we lived in a commune,
but Jesus, how can we be so far apart
on what’s good and bad, what scares us most, what’s true?

Do you feel this frightened when my side wins and you lose?
I’m sorry if you do. I didn’t know that.
If I liked you before the election, I probably still do,

unless I can only be your friend if I voted like you.
It makes me anxious when we’re asking what
is good and bad, what scares us most, what’s true

because we can’t even manage to watch the same news.
It looks like a storm cloud to me. What’s it look like to you?
If I loved you before the election, I probably still do.
What’s good? What’s bad? What scares us most? What’s true?

_____

Don’t get me wrong–I have really firm opinions about the election. My side lost in the primary and the general. I’m trying to figure out how to process it, how to understand it, what to do. But one of the things that freaks me out the most is how far apart we are as a country, as a state. It feels to me like we could bust out into our own version of the Troubles any moment. (Some violence is already here.) I honestly don’t know what to do.  I decided to start re-learning Spanish.  And I did buy, but haven’t started reading yet, Katherine Cramer’s book, The Politics of Resentment: Rural Consciousness in Wisconsin and the Rise of Scott Walker.

And speaking of Scott Walker, here are some thoughts I had on similar matters five years ago. I just read the Cadfael books again and they still seem to have so much to say about disagreeing and either empathizing or not with the people you’re disagreeing with. There are two parts,  Grief for the Uncousinly Chasm. And then Grief for the Uncousinsly Chasm, Part II. There’s a part III I haven’t had the nerve to write yet, on the chasm between what I believed when I was actively Baptist and what I believe now as what I call a Zen Baptist–the chasm between what some of my friends and family believe and what I do.

You can take this line from the villanelle as either taking the Lord’s name in vain or a prayer (or both–I mean it as both):

Jesus, how can we be so far apart?

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It looks like bleak November to me. What’s it look like to you?

Monday Morning Nonetheless

“And all my senses rise against this coming back to you”  Leonard Cohen

Almost an ampersand of fog
against the bare trees on the bluff.
The wind must have swirled it around,
or maybe it’s smoke. It’s cold enough
someone could have had a fire last night.

Such beauty and such mystery right there
on a Monday morning, nonetheless,
I have to drive beyond it to where
light industrial meets water treatment
and everything is ordinary, planned, and organized,
and on the other side of that, my job.fullsizerender

Consolation for the Coming Dark

1
Call it what you want–global weirding,
climate change–it’s just flat-out wrong
to hit 80 degrees in mid-October, in Wisconsin,
mosquitoes swarming like it’s June.
Humid muck and sweat, it makes me long for snow,
reconciles me to the dimming of the light.

2
The third trimester has to be ungodly
uncomfortable, the backaches, the chafing,
the raw, red stretch marks. The pain
that’s coming seems at that point,
if not nothing, then at least something
bearable, something, anything, better
than lumbering around. Just get it out.

3
The love that died,
the job that changed,
the tree that lost its leaves.
Rusted muffler,
curdled milk,
worn out shoes.
The show that jumped the shark,
the friend who wouldn’t go home,
the skirt that fell out of style.
Insufficient postage
on the Star Wars stamp
you found in your desk.

4
What’s next and what’s enough and when
will all of this seem clear and would a funeral help?
To signal things are different now,
I know it’s different now,
the past is done, I know it’s done,
I’m ready to move on?
Tomorrow’s wonderful and awful
and so’s today and is tomorrow’s sunrise,
possibly orange and pink and lovely,
any kind of consolation for the coming dark?
__________

I’ve been enjoying Rob Bell’s podcast lately. He had Peter Rollins on a couple times (always blows my mind) and then a great one on Seasons, which made me think maybe we should have a funeral at my workplace, for the way things used to be.

See, budget cuts have made this a very different place to work. In the classroom it’s much the same (wonderful as always, I tell people, and it’s true), but outside class–really different. We’re functioning, for the most part, doing our best, but it’s really, really different.

Then I decided, no, we shouldn’t have a funeral, because there are already enough people worried my sweet little campus will close.  I don’t think it will close, and having a funeral wouldn’t have meant that I was thinking it would close, but I could imagine someone seeing it that way.

Having a funeral would have meant I understand the past is gone.   Whatever was, isn’t now.  Having a funeral would have meant I could feel what I’m feeling, really give it full vent, and then move on.  Look around and see things with clearer eyes.

So, no funeral.  But I might write down a couple things I particularly miss, and light them on fire in my backyard, and tell them goodbye.  I might sing a little song.  I might read this out loud, from Ecclesiastes 3:

“To every thing there is a season, and a time to every purpose under the heaven:
A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted;
A time to kill, and a time to heal; a time to break down, and a time to build up;
A time to weep, and a time to laugh; a time to mourn, and a time to dance;
A time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing;
A time to get, and a time to lose; a time to keep, and a time to cast away;
A time to rend, and a time to sew; a time to keep silence, and a time to speak;
A time to love, and a time to hate; a time of war, and a time of peace.”

And then just because the changes at work come from budget cuts of which I don’t approve, I might also read this one from Ecclesiastes 9:11:

“the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to those with understanding, nor yet favour to those with skill; but time and chance happeneth to them all.”

And then I think I might feel better. Or maybe not.

 

 

 

Purgatory, Kentucky (done?)

It got to where I couldn’t see a way
ahead except for dying. So I went.
Or, so I came. Just where, I couldn’t say.
It’s odd. Some kind of grass, or cane, all bent
this way and that, slick at the root,
and spiky sharp half the time, black as coal,
but soft enough to lie down in, some spots.
I’d have slept more, but my dreams are full
of nasty animals and dead presidents.
I got attacked by a whole fleet of armadillos
in a river. An armada. Is that what you call it?
Abraham Lincoln himself chopping wood. “Hello
Mr. Penny Man,” I said. He spoke not a word.
But this ain’t Hell. Of that I am assured.

This ain’t hell. Of that I am assured.
Would there be moderately cold beer or
would they let me keep my truck if torture
was on the agenda for now and ever after?
You might say yes, but I think not. No way.
I will admit that I have odd dreams.
But nothing scary, really. Nothing mean.
Just weird. Like a really long nap in the middle of the day.
There’s not much else to do. I could reflect
on all my trials and tribulations, the error
of my ways, but where would be the profit in that?
The wicked queen’s mistake was looking in the mirror.
She couldn’t rest in her own head and let
the young ones be the ones to stew and fret.

The young ones are the ones who stew and fret,
yes, even here they do. I tell them to relax,
but I do recall what it was like, to be fraught
with longing for a certain someone’s kiss,
the way a particular set of hard calluses
could raise a wave of shivers on my skin,
then one touch later heat me up fast,
so hot for more, I would do anything….
There is no profit in that kind of thought.
The man whose hands I speak of is not here.
I’ve grown restless all the sudden, not
full of life, I wouldn’t say, just bored.
Turns out I dislike it, this world without end.
The ferry’s here. I guess I’ll drive on in.

The ferry’s here. I guess I’ll drive on in.
I tell you if I’d known I’d have my truck
on this side of, well, whatever side I’m on,
I’d have done myself in sooner. Just my luck
the ignition switch is still a fussy thing
which I guess means this isn’t heaven.
I never really minded when it wouldn’t start,
just took the time to admire my good old Ford,
Bought it new in ’72, Grabber Blue,
What was there me and my girl couldn’t do?
My favorite thing I ever hauled? An outhouse
that my Mama did NOT want me to take away.
“When your crazy cousin Vernon visits,
I like to have a quiet place to pray.”

I like to have a quiet place to pray,
and sitting, waiting, in my truck, well that’s
about as quiet as it ever gets
because the radio died in ’88.
When a radio dies where does its music go?
They say sound waves never really go away.
I don’t understand everything I know
about that. I guess I believe that sound’s a wave.
I guess I believe there are tiny bones in my ear,
a hammer and an anvil and a horseshoe? Is that right?
I wonder if they’ll be taking questions there.
I wonder if it’s always kind of twilight.
There’s the ferry now—I guess it’s time
I got myself in gear and got in line.

I got myself in gear and got in line
but wow, this line’s not moving. Not at all.
Then suddenly I’m hearing “Begin the Beguine”
a song I didn’t even know I knew. There’s a swell
of trumpets and what is that? An oboe? I don’t know.
And now a woman in a cape has stopped
by my truck. She’s a nun. So I guess it’s not a cape.
She says she’s a Beguine. Go with the flow
is what I’m thinking. There. We’re moving some.
The nun is in my truck. She sings along
to “Smoke Gets in Your Eyes.” I only hum.
I never could remember all the words to a song.
And now we’re going slow again, so slow
we might be backing up. I just don’t know.

We might be backing up. I just don’t know
if I’m alive or dead, asleep, awake–
but then, my whole life (a hundred years ago)
has been like that, blurry on the day-to-day
and sharp, in focus, only now and then.
Is that depression? Or is it being dumb
about what matters? I kind of drift along
a lot. My favorite thing was being at home,
just doing nothing, which is why my house is a mess.
Or was a mess. I’m sure it’s still a mess.
I’m the only one who ever cleaned.
But if I’m dead, what’s home? That’s what I mean.
There’s really nothing left to do but pray.
It’s gotten to where I cannot see the way.

_____

I began writing this crown of sonnets in April of 2013, as part of National Poetry Month, and NaPoWriMo.  I’m slow.  I would remember it every now and then and add a sonnet to it.

It’s a curious project–it began as a challenge sonnet when I was on my way to Manitowoc to do a reading.  I can’t remember all the parts of the challenge, though I think Abraham Lincoln was in it, and I definitely remember my friend Becky asking that I include Boyd Crowder’s hair.

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This is Walton Goggins, who played Boyd Crowder on Justified. On the show, I think Boyd used more hair product. (Image from Wikimedia Commons)

Because I loved Justified so much, putting Boyd in the poem opened all sorts of possibilities. I immediately heard the voice of Mags Bennett, played by the amazing Margo Martindale (one of the best villains with one of the best story arcs in all of tv land, ever). That’s why it was Purgatory, Kentucky.

But as I wrote it, I was less and less sure of Mags’ voice in the poem, or the need to have her narrate, so I’ve revised a lot of that out of it.

It doesn’t have much to do with Kentucky at this point, so I’ll probably change the title. It could be Purgatory, Illinois.  The outhouse portion happened in Southern Illinois, which is itself sort of a blurry place, not entirely southern, not entirely midwestern…  I actually like the sound of Purgatory, Illinois.

In any case, I believe the draft is done, and that means that I’ve now written four crowns–“Mothering God” was the first, and then “Each Other’s Anodyne,” and then “Mobius Strip of a Man,” and then this one.  I’m now working on a heroic crown of sonnets about my back surgery at the Shriner’s Hospital for Crippled Children (it’s not called that anymore).  I actually have this vague memory of writing another crown of sonnets, but surely I’d remember it clearly if I done it, right?

Some Recent Online Publications

Here are some winter publications I never quite got around to sharing much:

 

A story called “Down Off the Mountain” which appeared in Mulberry Fork Review, Issue 4, Volume 1. I’m on page 23.

A poem called “The Grievous Wrongheadedness of Comparing Grief” which appeared in The Quarterday Review, the February Imbolc issue.  I’m on page 45 there.

 

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Just taking care of some writing business on a Saturday.

 

 

Somewhere in Eastern Montana on a Train

The rocks rise up just like Jehovah scat,
vast droppings from the great mad God above.
The train won’t stop. I don’t know where I’m at.

I might be lost. I might have been kidnapped.
The train’s so cold I’m wearing gloves.
The rocks rise up just like Jehovah scat,

but they’re not visible on my little map.
The lounge car is the only home I have
because the train won’t stop. Where I’m at

is a deeply pleasing dizzy place, perhaps
because I’m reading The Sheltering Sky, which I love.
The rocks rise up just like Jehovah scat

on these Great Plains! Foothills! The snow, like sand,
obscures the tracks. How do we even move?
The train won’t stop. I don’t know where I am

with all my wonder wander wonder shit.
I’ll be home for Christmas soon enough.
The rocks rise up like Jehovah scat.
The train won’t stop. I don’t know where I’m at.

____________

Christmas 1989  I rode the Empire Builder train from Whitefish, Montana to Chicago and then the train they call the City of New Orleans on down into Southern Illinois. It was a miserable trip. There was a lot of snow and it was very cold (in North Dakota? Who could have expected that?) and the bathrooms kept freezing up. We stopped at every station, trashed the bathrooms, and by the time I got to St. Louis, the train was more than 24 hours late. You can keep your romantic train travel visions to yourself, thank you very much.

Unless you’re Laura Gibson, in which case I feel so lucky to have caught your show at The Shitty Barn.  (Sometimes I can’t stand how lucky I am to live in Spring Green.  The barn’s just a short walk from my house.)

Her new album is called Empire Builder, and as she sang the title track, I was reminded that I’d tried and tried to write a poem that captured the weirdness of that train trip.  Given my track record of poems about that trip (#27yearsoftrying), I may still not have done it.  But I got inspired whilst Laura was singing and wrote it all, there (almost all–revised some when I got home).

So thanks to the Shitty Barn & thanks to Laura Gibson for a great night and a little fit of inspiration. Have a listen to her song “The Cause”  and see if you get inspired your own self.

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Oh, how I love thee, Shitty Barn.

 

 

Faithless Delegate, Brokered Heart

Being a battleground state is exhausting.
My red counties, my blue counties,
my precincts, my wards–they spar and spit
at each other, they tally slights, they want revenge.

The answer to Rodney King’s question is simply we can’t
get along. We don’t even all
get to vote, and still the turnout is huger
than it has been since the early 70s. But

when it comes right down to the chad of it,
my brain and all my good habits
don’t stand a fucking chance against
the power of illogic. This panic attack

is a faithless delegate on the convention floor,
voting for whomever he pleases,
my heart littered with campaign trash. I won’t
demand a recount. I just want everything quiet again.

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Purgatory, Kentucky (5/7)

I like to have a quiet place to pray,
and sitting, waiting, in my truck, well that’s
about as quiet as it ever gets
because the radio died in ’88.
When a radio dies where does its music go?
They say sound waves never really go away.
I don’t understand what all I know
about that. I guess I believe that sound’s a wave.
I guess I believe there are tiny bones in my ear,
a hammer and an anvil and a horseshoe? Is that right?
I wonder if they’ll be taking questions there.
I wonder if it’s always kind of twilight.
There’s the ferry now—I guess it’s time
I got myself in gear and got in line.

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Ferry on Highway 169 somewhere in Kentucky (a Creative Commons shot from Edlitmus on Flickr)

David Bowie, RIP

There’s so much to say.  I wasn’t ready for this death.  I hope I can say more at some point.  In the meantime, I’ll re-run a little poem I wrote when he released “Walking the Dead” a couple of years ago–a song and album for which I was so grateful. I hadn’t even realized how much I’d needed a new one from him.

_____

Bowie’s Voice

starched linen right when
it’s not so stiff

piece of paper twisting
in a breeze

sheet of metal
a thin sheet
its sound waves
emerging at the quiet snap
of bending this way
and then that

Bowie’s voice
in “Where Are We Now”
quavery
elegant
sad

exactly how we ought to speak
to the dead, were we to speak
to the dead, were we dead,
were we out walking the dead.

What’s Waiting on the Other Side of Turmoil?

–a Thanksgiving poem in a difficult time,
ending with a paraphrase of Julian of Norwich
which also contains a reference to Husker Du

 

What’s waiting on the other side of turmoil?
We can hope, but the ugly truth is we don’t know
if all will be well and every everything will be well.

We’re partial to our own peculiar ordeal.
Our depth of field’s so shallow it can’t show
what’s waiting on the other side of turmoil.

It’s hard to line up the practical with the theological.
Would Julian say, if she got her car stuck in the snow,
“all shall be well and all manner of thing shall be well?”

I bet she sometimes just muttered “oh well.”
I bet she had her doubts a mothering God controlled
what’s waiting on the other side of turmoil,

the gruesome news, the shit at work, the hell
through which we make each other go and go and go.
If all will be well and every everything will be well,

the obvious question is when? Does anyone know?
Could one tiny seed of calm actually grow?
What’s waiting on the other side of turmoil?
When will all be well? Will every everything be well?

_____

It does seem to me the setting on turmoil is turned way up lately.  But this Thanksgiving I am trying to nurture little seeds of calm where I can.

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Vanessa Quivertail when she was a baby kitteh.